Entry 411 — An April Gallery « POETICKS

Entry 411 — An April Gallery

It’s time, I guess, to let everyone know that during April you can view one work daily here from each of the following poets on the days indicated:

1. Eric Zboya
2. Camille Martin
3. Gil McElroy
4. Marton Koppany
5. Matthew Stolte
6. Reed Altemus
7. Satu Kaikkonen
8. mEIKAL aND
9. andrew topel
10. Bob Grumman
11. Helen Hajnoczky
12. Joel Lipman
13. Aileen Beno
14. Vern Frazer
15. Bill DiMichele
16. Chad Lietz
17. Anatol
18. Christine McNair
19. Gary Barwin
20. Pearl Pirie
21. John M. Bennett
22. Marcus McCann
23. Geof Huth
24. John C. Goodman
25. derek beaulieu
26. Megan Zucher
27. Sheila E. Murphy
28. Lily Robert-Foley
29. kevin mcpherson eckhoff
30. Michele Provost.

Yeah, I think the whole idea of National Poetry Month is stupid.  The problem, though, is that opportunities to get one’s work in front of others are rare and (too) many of them are connected to National Poetry Month.  For instance, the above, and a chance I had locally for an exhibition of my visual poems at a local community college that apparently hasn’t come off, but would only have been possible during National Poetry Month.

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Entry 611 — Appreciating Mathemaku « POETICKS

Entry 611 — Appreciating Mathemaku

I have another Page available for browsing.  It’s a pdf file called “How to Appreciate a Mathemaku,” consisting of a slide show of about 25 pages in which I take the viewer on a step-by-step tour of a single mathemaku, “Mathemaku in Praise of the Dictionary.”  I’ll have it at my exhibition.  I’d be grateful for any comments on it.  My main concern is whether or not it will help ordinary people get something out of my poems.

Diary Entry

Saturday, 31 December 2011, Noon.  Tennis again after four days off (Thursday because it was in the forties).  I’m still not right but played okay.  After playing, I picked up some thyroid pills.  Now I’m home, not feeling like doing anything productive, but not in the mood for anything to do to evade my chores, like reading.  Later note: I worked a little on the lesson in mathemaku appreciation power-point slide show I have in progress.  Didn’t do anything else.

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Entry 1763 — I’m Not Terminal « POETICKS

Entry 1763 — I’m Not Terminal

The good news is that my problem is “just” arthritis; the bad news is I felt worse leaving the hospital–in spite of the three prednisones I was given–than I did going to it–on my bike!  Seems no matter how bad off I am, I can always ride my bike.

 

2 Responses to “Entry 1763 — I’m Not Terminal”

  1. Lesson: it’s better to ride your bike than make your doctors and pharmaceuticals richer than they are. Tell them to stick their prednisones up their ass. You probably don’t need them.

    Exercise, diet, sleep…all you need, my friend. And, of course, poetry

    Happy cycling!

  2. Bob Grumman says:

    Maybe, Conrad. But I’ve been riding a bike almost every day all my life, and right now I can barely walk, so I don’t think bike-riding will cure me. Also, the x-rays I’ve had pretty convincingly indicate arthritis and pinched nerves and inflammation, which Prednisone has been shown to be effective against sometimes. So I’ll trying it. Then physical therapy which has helped me a lot in the past, or so it seems. We’ll see how it goes. I don’t think the prednisone can hurt, me–and hey, I only paid forty cents for it! Nothing for the hospital visit. Of course tax-payers paid a lot for it, which bothers me, but I’m too impoverished for me to reject it. Besides, most of the tax-payers voted to be taxed, even if they thought others would be taxed but not them.

    In any case, thanks for the interest, and support! I’ll let everyone know how things turn out. Right now my pain is worse–but it’s localized in a single spot for the first time, which I take as a good sign. Gotta think positive–not because i can help me mend but because it’ll make me feel better.

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Entry 153 — A Second Announcement « POETICKS

Entry 153 — A Second Announcement

An interesting discussion of “vispo” and visual poetry that includes careful discussions of my poetic practice by Conrad Didiodato is now among this blog’s “Pages” under the category of “Discussions Of Bob Grumman’s Poetry.

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Entry 413 — Another Holiday « POETICKS

Entry 413 — Another Holiday

I’ll be out of town for the next couple of days, and recovering from the trip the third, so probably won’t post here again until 4 April.  I’ll be visiting with Marton Koppany and Clark Lunberry.  Should be fun.

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Entry 1762 — New Calamity « POETICKS

Entry 1762 — New Calamity

I’m off to the hospital.  So I may not be posting here for a while, if ever.  Pain and difficulty walking, but I have no idea what’s wrong.

 

Best, to all, Bob

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Entry 362A — An Attempt at a Blog Census « POETICKS

Entry 362A — An Attempt at a Blog Census

I’ve long been curious how many people make a point of visiting my blog now and then.  My guess is ten or twelve.   I believe I have a counter somewhere but it only counts hits, so is pretty meaningless.  I mean, I may have a whole hundred hits by now, but ninety of them may be one-time hits.  Or two-time hits, which is no better.  Anyway, my idea here is to have a Page called “Poeticks.com Blog Count” with a counter in it.

My hope is that I can get each of you reading this who comes here now and then to visit it just once to record your presence (anonymously).

Thanks, Bob

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Entry 506 — Long Division by Death « POETICKS

Entry 506 — Long Division by Death

In my latest long division poem I divide “death” into “the mind” and get “1″ with a remainder of “motion.”  The most important feature is the sub-division product.  It’s “ex(         )ce” or b(      )g,” I’m not yet sure which.

Okay two announcements I made at Spidertangle yesterday:

 

CALL FOR SUBMISSIONS #1

I’ve noticed here and there in my viewings of visio-textual art pieces that I would call visio-musical poems.  It struck me just now, after I came on one I really like by Carol Stetser at Andrew Topel’s scriptjr.nl show, that there may be enough of these that feature the musical staff (the five lines used in writing scores–are they called a “staff?” if not, what?) for a pleasant little anthology.  I’ve done at least one, John Veiera and Andrew Topel have, too.  Others, I’m sure.  In any case, if you have any, please consider e.mailing a copy to me.  Actually send me, or let me know about, anything visio-musical, although I want the anthology to be staffs or parts of staffs only–that is, unarguably concerned with music.  I’m serious about an anthology, probably a small one with payment of five copies to each contributor.  Printed by some print-on-demand outfit like Lulu, but probably not Lulu.  Color will be fine.  I will use every “scored poem” submitted, up to four from a single submitter.  I will also post them in a gallery at my blog if I don’t get enough submissions for a book.

Please let me know how the idea strikes you even if you have nothing to submit. ”poetry scores.”  

 

CALL FOR SUBMISSIONS #2

Okay, I had a couple of APCs an hour ago, so I’m a shade manic instead of nine-tenths asleep in my galoshes.  Result: I’m having these things that seem like ideas to me.  The one I think worth posting about is a collection of little essays from Spidertanglers and others who do vispo and related stuff.  Their subject would be favorite painters–and why, hopefully with something about the influence of the painter on the writer.  Mine is Paul Klee.  Like all of you, no doubt, I like a lot of different painters and it’s sort of ridiculous to try to pick out just one, so feel free to mention more than one.

I know: it’s the gossip hound in me that would love to hear back on this, but I should think it’d be fun. 

Another possible anthology suggests itself.  Poems in homage to visual artists like my own “Mathemaku for Paul Klee,” with an artist’s commentary on background.  Don’t think about how little you may want to talk about your work but about how much you have enjoyed reading what others have said about their work.  Surely you have!

 

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Bill DiMichele « POETICKS

Archive for the ‘Bill DiMichele’ Category

Entry 858 — “Repose and Reconstruction”

Tuesday, September 11th, 2012

Below is the link to the 3rd in a series of chapbooks from the publishers of Tip of the Knife. The title of the series is called TipChapKnifeBook. Number 3 presents Bill DiMichele’s Repose and Reconstruction–with a short introduction by me.

http://tipchapknifebook.blogspot.com/2012/09/bill-dimichele.html

Meanwhile, I’ve been half-assedly continuing my attempt to put mine house in order.  Yesterday, I spent an hour going through a shallow box of miscellaneous stuff, figuring out what to do with perhaps a fifth of it.  But I found some interesting items I thought worth sharing mith my blog’s legions of followers:

This was at the top of a letter from John M. Bennett.  It’s by Al Somebody-or-Other.  It may have come in the envelope below, which is a typical JMB envelope:

Plus a sticker of John’s:

 

 

 More great stuff tomorrow, kids–if you behave!

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Entry 854 — “sic transit”

Friday, September 7th, 2012

I’m always harping on the importance of a poetry critic’s quoting passages or whole poems by the poets he discusses.  This is not revolutionary: it’s taught, I believe, in most college courses on the subject.  A critic should also zero in on quoted material at times, too.  I sometimes fail to do both myself, so am re-posting to the following excerpt from a poem from Sheer Indefinite, by Skip Fox, in order to say a little about it:

Neither does the world answer but

          in mute response. Cold

            wind this morning before

                  dawn, cold

            rock in its eye,

                                 frozen

             dream in its mind.

First, here’s what Patrick James Dunagan said about it at his blog here, where I got it: “This is from a poem titled ‘sic transit’—one of several of the same title included here. (It’s on page 100–BG)  These breezy markers of reoccurrence give a slight whimsy brokered through its scattering lines spread across the page expressing a moment’s hesitation before the onslaught of another day’s beginning. Fox utilizes this serial approach often in his more recent books, spreading throughout each a few poems which usually share a title, form, movement of line, and/or tone, allowing for the spreading of ongoing concerns beyond the single book, such that no single collection is ever final, or complete.”
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The text begins “sic transit,” which surprised me a little, but should not have, since Fox likes to jump into the midst of things, then let his readers fumble for orientation, which tends to help them find more, sometimes a lot more, of where the poem has put them than a poem trying harder to be accessible.  That is, you will learn more about an unfamiliar forest you have no easy-to-find path into if forced inside it to search for a way through it.  Moreover, this poem begins in answerlessness, so the tactic is all the more appropriate.  The poems then goes on to what seem to me Roethkean-level lyrical heights about the beauty of the night sky (moon, Venus, Saturn, Jupiter, etc.) whose “wanderers” seem “endlessly searching . . . each sign a station pronounced/ sentence or dance of mythos, fluent/        within/         what?”  Which gives us a better but far from complete idea of the question “the world answer(s) but/ in mute response.”
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The passage is improved by its context–but I love it as a stand-alone, too, for its haiku-sharp evocation of coldness–in a still-dark morning, which is upped dramatically, first by the rationally-wrong, surrealistically-right cold rock, second by its eye–and, hence, sentience which personalizes its effect on the unidentified Everyman looking for an answer– and third (and fourth) by the “frozen dream in its mind,” which–almost wittily–outdoes the cold rock (as a colder version of it) in rational-wrongness/surrealistic-rightness.
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Note: I like what I’ve written here–right now, just after writing it.  Who knows how I’ll feel about it tomorrow or a month from now.  But I like it now, which I mention because I notice that more often than not when I write close criticism like it, I have to really push myself to begin, because I feel empty.  But something always seems to come–in this case helped by what another critic, Patrick James Dunagan, had said.

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Entry 851 — Guess What?

Tuesday, September 4th, 2012

I’m still so out of it I need to grab work by others to post something here. Ergo, here are a poem (top text) and the first stanza of a poem by Bill DiMichele from his Heart on the Right, which my Runaway Spoon Press published in 1992:

My kind of lyricism. I especially like “one’s a felony, the other a/ cloudburst” (referring to veneration and irreverance?), and the rush “to find diagnosis/ or heir,” which I think has to do with whether the quest mentioned is a sickness to be diagnosed or something that will lead valuably (like irreverance?) to other (living) quests.
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Entry 850 — Two Early Works by Bill DiMichele

Monday, September 3rd, 2012

The following are from Capacity X, a chapbook my Runaway Spoon Press published in 1988 of visual poems by Bill DiMichele:

“X” in some 28 variations each making the  X more knowably unknown.

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Entry 849 — Two by Bill DiMichele

Sunday, September 2nd, 2012

The two pieces below are from the collection by Bill DiMichele that I agreed to do an intro for (and–as usual–am procrastinating on although I think I know what to say in it).  The top piece is the second in a five-frame series called “Repose”; the lower the first of another 5-frame series, this one called, “Reconstruction”:

All the ones in “Repose” are wonderfully restful and should be easy to do a little twirl about, but–except to point out how unreposeful “Reconstruction” is, and that I like it a lot–I don’t yet know what to say about it.

 

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Entry 604 — A Visimage by Bill DiMichele

Sunday, December 25th, 2011

Here’s something from Bill DiMichele’s latest painting exhibit at the Lindsay Dirkx Brown Gallery in San Ramon, CA.  It reminds me a lot of the way I shape my (much lesser) canvasses.

Go here to see more of his works. More will be appearing here.

This is the link to the Cross-Section of a Moment exhibit.

Diary Entry

Saturday, 24 December 2011, 6 P.M.  Pretty much a crappy day.  I had trouble taking care of my diary entry–until I remember a book of images Geof Huth had sent me that I could steal images from to display.  I just finished doing that.  I did very little else all day, just a paragraph on my response to Jake Berry’s essay.  I did finish the thriller by Tom Clancy I was reading, though.  It was about a war–American and Russian against China.  Silly stuff but I did enjoy reading about a militarily competent USA, for which I hope my friends in poetry will forgive me.

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Entry 434 — More Time Off « POETICKS

Entry 434 — More Time Off

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I’ve decided I need more time off from my blog.  I seem to have less than zero energy, at least for any kind of productive writing or other art-making.  Could be gone a week or more, who knows.

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