Entry 465 — A Long Walk « POETICKS

Entry 465 — A Long Walk

I walked four miles today. My physical therapist and my surgeon are agreed that I shouldn’t walk more than half a mile. But I had somewhere to go, and have this weird self-belief in my ability to walk. I don’t have the same self-belief in any other physical ability so haven’t done and won’t do anything else I’m not supposed to. I’m not sure what my point is–maybe something about  aconceptual knowledge versus conceptual expertise.

But also to explain why I’m too tired to say more, today, about William Logan in the latest issue of New Criterion except that he has finally actually written about a poet I consider avant-garde (albeit, barely), Rae Armantrout. I guess he had to since she’s a Pulitzer Prize winner and has been a member of the Academy of American Poets and otherwise credentialed for quite a while. He pans her, of course. Ignorantly, of course. Okay, semi-ignorantly. The main thing is that he discusses her–for over a page. Bringing the New Criterion briefly up to 1980.

He also discusses Wilbur’s latest, but I only read the part about Armantrout. Tired. I’ll read the rest of Logan’s commentary, though–I read every word of every issue of the New Criterion. I figure it gives me a good anchor in 1950 to sail into newer things from. I truly wish there were a magazine around as good about 2000 as it is about 1950 (and cultural figures repeating it in 2011).

Later Note:  The book was Broken English, by Heather McHugh.  It showed up.  I had left it in the car of the friends who’d driven me home from the healthcare center with a lot of other stuff in a large shopping bag.  I guess I’m glad I found it.  I’m very glad of the stuff that turned up with it, which included some magazines and two other books that it would have driven me beserk to have looked for and not found.  I wasn’t totally stupid, by the way: I called Linda, my ride home, and asked her to check her car.

One Response to “Entry 465 — A Long Walk”

  1. Ed Baker says:

    hey

    hang in, Man as,
    I too spend most of my time (now) looking for things “lost”
    &usually find them in the last place that I left them..

    .

    I wrote a poem/ a fragment back in 1968 I KNOW that
    I did
    as I remember it
    is on a slip of yellow legal pad-paper

    again

    hang in & keepontruckin and

    I’ll write again when I have less time…

    look for me in the funnies !

Leave a Reply

Entry 472 — Sentences « POETICKS

Entry 472 — Sentences

I’m now very self-conscious about my sentences.  Joseph Epstein, one of the chief Philistines on my list of enemies of poetry, has an article of writing good sentences in the latest issue of The New Criterion, that mentions the value of having a strong word at the beginning and end of your sentences.  Not “it” or “there.”  I’ve never thought about that.  Now, alas, I am.  I’m always using “there” and “it” to start sentences.  I end sentences with prepositions, as well.  They’re weak, says Epstein.  He’s never seen mine, though.   Most sentences with “however” in the middle of them are “dead on arrival,” according to Epstein.  That worried me.  If midstream “however’s” are so over-used to bother a mediocrity like Epstein, I had bad problems, for I’ve always used them so much that for years I’ve tried to cut them down.  I immediately read the firt few pages of my book on the Shakespeare authorship question to see how many “however’s” I’d committed.  None.  Whew.  But I do know they are a weakness of mine.  I think primarily on-one-hand-on-the-other terms.  That makes avoidance of “however,” difficult.

I think a problem for me is too diligently trying to keep cliches out of my writing.  Shakespeare probably used more cliches per word than any writer ever.  Possibly what most counts is ratio of fresh to cliched language.

I’ve gone by intuitive feel mostly in my writing.  On the look-out, however, for complex sentences that can be chopped up into two or three shorter sentences–because I tend not to think in short steps but long convoluted lopes.  I also try to stay alert for spots I can break convention at.  Interestingly.

Too much of the time I’m too concerned with saying everything I think needs to be said.   Which it rarely does.

As Evidence of Epstein’s Philistinism is his chestnutting Tolstoy’s “Happy families are all alike; every unhappy family is alike in its own way” as “the best first sentence in literature.”  Must be, if every mediocrity writing on style has said so for the past fifty years or whatever.  Who knows, maybe Epstein was the first to say it.  In any case, it’s crap.  The sentence is a clever half-truth,” nothing more.   True, it signals Philistine that he’s going to be reading about families so unlikely to have to go very far outside the little world he inhabits, but it also tends to warn certain others that it won’t be of much interest to them.  I tend to think Raymond Chandler wrote some unbeatable first lines, but would never advance any of them as “the best first sentence in literature.”  There are many terrific first sentences.  (Oops, there’s a “there” at the beginning of a sentence!)  “It began feebly for an undertaking of Final Importance,” is the first sentence in my Of Manywhere-at-Once.  One defense of it for first-place is the way it flows from “it” (can you start weaklier than that?!), into something about as bannered as can be.  (A fellow member of my local writers’ group found it and the rest my first page unexciting–because it was about a poet’s waking up with what he considered a great idea for a poem.)

The first sentence of Finnegans Wake is ridiculously superior in every which way to Tolstoy’s.

Epstein later favorably quotes Joseph Conrad’s “My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel–it is, before all, to make you see.  That–and no more, and it is everything.”  The sentiment is nice (but limited and, of course, not true) , the expression clumsy.

As a Philistine (and thus incapable of rising above moralism), he automatically applauds F. L. Lucas’s notion that “without good character superior writing is impossible.”  But I agree with him about Gertrude Stein’s misguided attempt “to use boring repetitions as if filling in a canvas”–but he doesn’t commend her for her exploration.  No Philistine could ever recognize failed explorations as superior to successful verifications of the value of previous explorations.

I’m with him against idiocies like “chairperson,” HOWEVER, and grateful he brought Lucas’s “faulty greatness in a writer stands above narrower perfections” to my attention.

Leave a Reply

Entry 481 — A Few New Thoughts « POETICKS

Entry 481 — A Few New Thoughts

A little while ago, Stephen Russell posted the following at New-Poetry:

Bob, they let me out of rehab to do a math poem: It’s very simple (after Basho). A Ven diagram. The frog: (small circle) enclosed within a (  larger circle ): the pond. & a tear between the intersecting circles, the s p l a s h. Text for all 3 words: frog/pond/splash. & perhaps a larger circle enclosing the 2 smaller circles: Universe. A math poem that approximates Basho’s vision … But I’m having problems getting it done in word instead of paintshop (much user friendly).

“Sounds fun,” I said back. ” I don’t do nothin’ graphic in word, but jpeg converts once done in paintshop.  I think where to go with Venn poetry would be surrealistic overlaps.  Having said that, I can’t think of an example, even a bad one. “

Because, in another post, Stephen had mentioned someone’s bewailing the death of the novel,  I wrote, “As for the death of the novel, I can’t see it.  Nor of poetry.  There’s the crucial importance of abstraction–experiencing reality sensually and abstractly.  Crucial for art and science. “

This led to a few further words about a third post of Stephen’s about getting people to appreciate poetry: “I don’t see any way of making serious poetry popular.  As I’ve always said, it’s like classical music or superior jazz or ballet or mathematics.  The only problem is getting people able to appreciate it to try it!  Which means, among other things, every once in a while giving a lot of money to a person making it (because the media only pays attention to things people get a lot of money for).  Maybe I’ve said things like this before?

“Meanwhile, I just had a one-man show at my local library, and drew four or five people to it, two of whom actually discussed any of the items in it.  Poeticks.com has photographs of it.  It wasn’t really a one-man show, but 17 or my 18 framed works hung in an event with many other tables for authors (and non-authors) celebrating the library’s 50th anniversary.  It made me think about why nobody was drawn to it.  Two thoughts on that: (1) I did nothing to promote it, like running around in a costume with visual poems on it–after getting the library to hang a few of my accessible poems up in advance (and I do have a few) and (2) creating a “lesson in visual poetry” like the one I’ve started work on which will consist of seven or eight posters, each showing some detail of the poem they are about, with commentary I attempt to make entertaining with personal comments, little jokes but also solid poetics; the whole idea would be to take someone encountering the work through the poem step by step.

“I hope to have it soon at my blog.  First I have to separate the purely graphic matter from the textual matter overlaid on it, which will take a while.”

Leave a Reply

POETICKS

Entry 465 — A Long Walk

July 8th, 2011

I walked four miles today. My physical therapist and my surgeon are agreed that I shouldn’t walk more than half a mile. But I had somewhere to go, and have this weird self-belief in my ability to walk. I don’t have the same self-belief in any other physical ability so haven’t done and won’t do anything else I’m not supposed to. I’m not sure what my point is–maybe something about  aconceptual knowledge versus conceptual expertise.

But also to explain why I’m too tired to say more, today, about William Logan in the latest issue of New Criterion except that he has finally actually written about a poet I consider avant-garde (albeit, barely), Rae Armantrout. I guess he had to since she’s a Pulitzer Prize winner and has been a member of the Academy of American Poets and otherwise credentialed for quite a while. He pans her, of course. Ignorantly, of course. Okay, semi-ignorantly. The main thing is that he discusses her–for over a page. Bringing the New Criterion briefly up to 1980.

He also discusses Wilbur’s latest, but I only read the part about Armantrout. Tired. I’ll read the rest of Logan’s commentary, though–I read every word of every issue of the New Criterion. I figure it gives me a good anchor in 1950 to sail into newer things from. I truly wish there were a magazine around as good about 2000 as it is about 1950 (and cultural figures repeating it in 2011).

Later Note:  The book was Broken English, by Heather McHugh.  It showed up.  I had left it in the car of the friends who’d driven me home from the healthcare center with a lot of other stuff in a large shopping bag.  I guess I’m glad I found it.  I’m very glad of the stuff that turned up with it, which included some magazines and two other books that it would have driven me beserk to have looked for and not found.  I wasn’t totally stupid, by the way: I called Linda, my ride home, and asked her to check her car.

Entry 464 — A Follow-Up Visit to the Surgeon

July 6th, 2011

I saw my surgeon yesterday.   He was very pleased with my progress.  But he said it’d be three or four more months before I would be a non-gimp.  He had told me before the operation that it’d take two to five months for me to reach that point, so I felt I’d make it in two with hard work, if the operation went well.  I’ve worked hard and the operation went well but am not considered likely to be able to do more than I’m doing now, which is walk fast in a straight line, and take care of myself in my home.  Sure doesn’t give me much motivation to continue going all-out on my exercise program.

Meanwhile, my old lethargy is still with me.  I’ve done a little work on my Shakespeare book since getting home, but not much else.   I’m hoping I’m just suffering from the stress any change in one’s circumstances tends to cause, even a good change like getting home from a care facility.

 

Entry 463 — I’m Home

July 2nd, 2011

Just a note to say I got back from the rehab center yesterday, and after putting the stuff I brought home with me away, walked a mile–at a blazing 3 miles and hour.  But I’m not allowed to go much faster.  Running will be forbidden for another week.  Not allowed to twist, either.  I’m supposedly ahead of schedule.  I feel good about my progress.  I feel good about most everything, in fact.

Had a therapist make a house call yesterday.  He gave me some exercises that seem good ones.  Gotta do two of them once an hour, though, so I’ve been busy.  Also walked another mile and did some writing.

More tomorrow, I hope.

 

 

Entry 462 — A New Saying

June 27th, 2011

Criticism of criticism: the mediocrity’s primary defense against being found out.

Entry 461 — The Latest from the Rehab Center

June 19th, 2011

I guess it’s about ime I posted another entry.  Not much going on here.  I had hoped to be home from now–was making good progress with my physical therapy.   The a setback: my surgical incision was infected.  Result: an IV anti-biotic has been administered to me each day for the past five days.  Five more round of it, then I get to go home, assuming it has worked, and all signs are that it will have.

I was pretty disgusted.  So much time going by with little or nothing accomplished, even compared to some of my recent poor days at home.  Then I remembered a chore I could do here: posting all my Small Press Review columns here at my new blog, something I’ve been meaning to do for some time.  It’s been hard getting them properly formatted, but I’m getting them much more quickly posted now than when I did four days or so ago when I started the chore.  They are in the Pages, under “Bob Grumman’s Small Press Review Columns,” 21 so far, but I hope to add a few more today.

I’ve read most of them as I posted them, relieved to find they seem pretty good to me.  I hope to published two books of them, with commentary.  They remain about the only published commentary on avant garde poetry anywhere in this country as far as I know.     

 

Entry 460 — I’m an Avant Garde Poet

June 18th, 2011

Geof  Huth recently claimed at his blog that there’s no such thing as avant garde poetry–because (as I understand him) all poetry issues from prior poetry.  He instantly persuaded me of the existence of avant garde poetry, about which I’d been previously skeptical because nothing significantly new seemed to have been happening or even capable of happening in the arts anymore.  I still believe the latter but what I suddenly realized is that “avant garde” means, or should mean, not significantly new but merely more new than the status quo.  As, for instance, my mathematical and cryptograhic poetry are.  I’m with Geof, though, in not thinking that considering onelf avant garde is that big a deal.  An avant garde poet is not necessarily superior to a status quo poet.

Supporting Note: if Finnegans Wake was not avant garde, what was it?  (I would add that it’s still avant garde.

 

 

Entry 459 — Week No. 2 at the Rehab Center

June 13th, 2011

I’m doing all the exercises I’ve been asked to do.   Today I got my own walker.  This means I’m allowed to walk everywhere in the building on my own–so long a s I use the walker.  I can walk, slowly, without it, but am not supposed to.  There are all kinds of movements I’m supposed to avoid (and do).  I seem in good shape but can’t walk naturally, or unnaturally without thinking about what I’m doing.  No word yet on when I’ll be able to go home.  I don’t mind being here much.  Not getting anything done, though–unless you count finishing reading beautiful & pointless, by David Orr, which may be the worst book about poetry ever written.  Orr thinks there’s no reason for poets to think they know anything more about using words than the man in the street does.  Granted, many do not.  Still . . .

Entry 458 — A Quick In&Out

June 7th, 2011

I’m okay.  Took me a long time to get access to a computer, and from it to the Internet.  Am now trying to delete items in my server’s inbox so as not to go over my limit and I apparently don’t know how to do it because I’m doing it one e.mail at a time.  I know I’ve at other times deleted many more at one time but can’t now.  When done, almost certainly not until tomorrow, will say more about my current situation.

Entry 457 — Off to the Hospital

June 1st, 2011

I’ll be off to the hospital in another half hour or so.  I feel good.  Things should go well.  If everything works out maximally well, I’ll be able to make a blog entry from the hospital tomorrow.  Don’t bank on that, though.

 

Entry 456 — My Latest Poem

May 31st, 2011

.

I posted it at New-Poetry early this morning.  No comments back yet.  I was hoping someone would say, “Wow, that’s great!”  I really think it’s possible that few if anyone at New-Poetry–or maybe anywhere, can appreciate it as I do.  I really do think that few people are not segreceptual, or incapable of quickly darting from one sensual modality to another, in this case from verboceptuality to wherever we process spelling and the conceptual significance of spellings quickly enough to appreciate the poem.  A word-frame as the house of vowels, and then vacant.

I will be leaving my house tomorrow morning around six for the hospital and my hip surgery, so may not post an entry then, or for a while.  I am not sure when I’ll next have access to the Internet.   So don’t be surprised if there’s nothing new here for a week or more.

Note: I got all the things written I felt I had to before going to the hospital–after dawdling on all of them for days or weeks.  Weird.  I just couldn’t get them done–until I had to.  Same thing happened most of the time with me in high school.

 

 

Entry 575 — A Half-An-Insight « POETICKS

Entry 575 — A Half-An-Insight

A thought regarding Ashbery’s admirers, which is probably very unfair (but possibly a half-truth): there are two kinds of poetry-lovers: those who want to take a ride in the mind of a poet who will take them to places they wouldn’t otherwise have gotten to, and those who want to get into the mind of a poet that they can take control of—because they can then drive it to places that are safe because they’ve already been to them.  In other words, lovers of poems with destinations like those of Frost, and lovers of anywhere-going poems like (most of) those of Ashbery.

Diary Entry for Friday, 25 November 2011, 1 P.M.: I got another entry posted (I wrote it yesterday but it still counts for today!), and did another exhibition hand-out, which was fun to do.  I needed a nap of about two hours, maybe more, to get the zip to do it, though.  I feel okay now, but haven’t yet started on my book.  I’ve posted to the Internet on the authorship controversy and the Dove anthology, read some more of the Clancy novel I’m reading, and continued the game of Civilization I’m playing where my Greeks are now at war with the Arabs–but America and the Maya are on our side, so we should win.

5 P.M., Mine quest continues.  I did some good clarification on my book, but the going has been painfully slow.  I have a headache.  I’m resisting taking pain pills of any kind.  I keep thinking I’ve gotten everything straight, then at once running into a problem.

.

Leave a Reply