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Entry 1745 — Denial

Saturday, March 7th, 2015

An “argument” far too often used in debates between the impassioned (I among them) is the assertion that one’s opponent is in denial.  “Denial,” I suddenly am aware, belongs on my list of words killed by nullinguists.  It has come to mean opposition to something it is impossible rationally to oppose.  When used in what I’ll a “sweeper epithet” (for want of knowing what the common term for it is, and I’m sure there is one) like “Holocaust-Denial” (a name given to some group of people believing in something), it has become a synonym for opposition to something it is impossible rationally to oppose–or morally to express opposition to!  Thus, when I describe those who reject Shakespeare as the author of the works attributed to him as “Shakespeare-Deniers,” I am (insanely) taken to mean that those I’m describing are evil as well as necessarily wrong.  Now, I do think them wrong, and even think they are mostly authoritarians, albeit benign ones, but I use the term to mean, simply, “those who deny that Shakespeare was Shakespeare.”

Or I would if not having the grain of fellow-feeling that I have, and therefore recognizing that small compromises with my love of maximally-accurate use of words due to the feelings of those not as able to become disinterested as I am may sometimes be wise.   Hence, I nearly always call Shakespeare-Deniers the term they seem to prefer: “Anti-Stratfordians.”  But I have now taken to call those that Anti-Stratfordians call “Stratfordians,” “Shakespeare-Affirmers.

(Note: now I have to add “disinterested” to be list of killed words, for I just checked the Internet to be sure it was the word I wanted here, and found that the Merriam Webster dictionary online did have that definition for it, but second to its definition as “uninterested!”  Completely disgusting.  Although, for all I know, my definition for it may be later than the stupid one; if so, it just means to me that it was improved, and I’m not against changing the language if the improvement is clearly for the better as here–since “disinterested” as “not interested” doesn’t do the job any better than “uninterested,” and can be used for something else that needs a word like it, and will work in that usage more sharply without contamination by vestiges of a second, inferior meaning.)

Of course, to get back to the word my main topic, “denial,” means the act of denial, and indicates only opposition, not anything about the intellectual validity or moral correctness of it.  Except in the pre-science of psychology where it means, “An unconscious defense mechanism characterized by refusal to acknowledge painful realities, thoughts, or feelings.”  I accept such a mechanism, but would prefer a better term be used for it.  For me it is a probably invariable component of a rigidniplex.  Hey, I already have a name for it: “uncontradictability.”

No, not quite.  It seems to me it is a mechanism automatically called into action against certain kinds of contradiction: facts that contradict the core-axiom of a rigidniplex, directly or, more likely, eventually.  Maybe “rigdenial,” (RIHJ deh ny ul)?   For now, at any rate.  Meaning; rigidnikal denial of something (usually a fact or the validity of an argument) due entirely to its threatening, or being perceived as a threat to) one’s rigidniplex, not its validity (although it could be true!).

When I began this entry, I planned just to list some of the kinds of what I’m now calling “rigdenial” there are, preparatory to (much later, and somewhere else) describing how it works according to knowlecular psychology.  I seem to have gotten carried away, and not due to one of the opium or caffeine pills I sometimes take.  I’ve gotten to my list now, though.  It is inspired by my bounce&flump with Paul Crowley, who sometimes seems nothing but a rigdenier.

Kinds of Rigdenial

1. The denied matter is a lie.

2. The denied matter is the result of the brainwashing the person attacking the rigidnik with it was exposed to in his home or school

3. The denied matter is insincere–that is, the person attacking the rigidnik with it is only pretending to believe it because the cultural establishment he is a part of would take his job away from him, or do something dire to him like call him names, if he revealed his true beliefs.

4. The denied matter lacks evidentiary support (and will, no matter how many attempts are made to demonstrate such support: e.g., Shakespeare’s name is on a title-page? Not good enough, his place of residence or birth must be there, too.  If it were, then some evidence that that person who put it there actually knew Shakespeare personally is required.  If evidence of that were available, then court documents verifying it signed by a certain number of witnesses would be required.  Eventually evidence that it could not all be part of some incredible conspiracy may be required.

5. The denied matter has been provided by people with a vested interest in the rigidnik’s beliefs being invalidated.

6. The denied matter is obvious lunacy, like a belief in Santa Claus.

7. The rigidnik has already disproved the denied matter.

8. The person advancing the denied matter lacks the qualifications to do so.

9. The rigidnik, as an authority in the relevant field finds the denied matter irrelevant.

10. The rigidnik interprets the meaning of the words in a denied text in such a way as to reverse their apparent meaning.  (a form of wishlexia, or taking a text to mean what you want it to rather than which it says)

11. One form of rignial (as I now want to call it) is simple change-of-subject, or evasion.

12. Others.

I got tired.  Some of the above are repetitious, some don’t belong, others have other defects.  Almost all of them are also examples of illogic.  But the list is just a start.  I’ll add more items to it when next facing Paul–who has a long rejoinder to the post I just had here.

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Entry 1744 — An Organization for Culturateurs

Friday, March 6th, 2015

First something from a comment I made yesterday at HLAS when some wack brought up the quotation from Emerson cranks and others who can’t argue well love:

Emerson is a hero of mine, and I love “A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines.” But “With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall,” is insanely stupid–the way the writings of Foucault and the other French literary critics whose idiocy has dominated academic literary criticism in the US for so long are.  Perfect consistency is probably not possible, but maximal consistency–ULTIMATELY–is what all the largest minds try their best to end in, even Emerson, even if he might not have been aware of it in his need to be allowed to say anything he wanted to purely on the basis of how much he liked it rather than on the basis of how much reality it reflected.

“With consistency a philogusher (lover of gush) has simply nothing to do. He may as well concern himself with his shadow on the wall.”  Grumman, 5 March 2015

Better the shadow of himself he sees on the wall than one of himself that he sees on the side of a hairy green & purple unicorn eating marmalade in a thunderstorm on the moon.

–Bob G.  Hmm, I realize decades too late that I should have been signing myself “Bobb” rather than just “Bob.”

As for the “organization for culturateurs, it’s “The Academy of American Culturateurs.”  It does not yet exist, nor is it likely it ever will, at least not as anything more than an organization with just one member, ME.  I like the idea of it.  Its members would consist of all the culturateurs in America.  My definition of culturateur being “a person who makes a meaningful contribution to the culture of his time, that being either the arts, verosophy or technology,” and my definition of “meaningful” being at the level of Beethoven’s or Wagner’s to music, or Cummings’s to poetry (i.e., not the equivalent of simply composing great music or poetry but of also contributing something importantly new to one’s field),” its membership would not be large.  It would, of course, exclude anyone who had ever been rewarded in any significant way for his accomplishments by any of the country’s cultural establishments–a Pulitzer, say, or MacArthur grant.  Even a Guggenheim fellowship.  Okay, maybe this would keep one or two deserving culturateurs out whom some establishment had accidentally recognized as a mediocrity but the rule would be right too often not to use it.

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Entry 1739 — In the Eurekan Zone

Sunday, March 1st, 2015

I often write here about being in my null zone, or almost in it.  I guess I’ve mentioned a few times I’ve been in a good zone.  I rarely mention being in a good zone, though: I’m too involved with more important things to.  When I’m in my null-zone, though, I tend not to have anything else to write about.  Anyway, a few minutes ago, I was getting all kinds of ideas.  I was feeling energetic and enthusiastic.  It was like I felt for about an hour while writing about the rigidniplex.  Ergo, I should call where I was the “eurekan zone.”

I was not in it for long, not wholly in it for long.  I feel mentally in it at the moment, but physically in the null zone, and in a so-so mood.  My mood may be good enough to allow me to take care of the entry–if I can remember any of the ideas I had.

One was simply my counter to something I read in the latest issue of The New Criterion about how foolish so many thinkers were for believing that “a hard science of human affairs has been or soon will be achieved.”  I think a poor hard science of human affairs has been achieved, and that neurophysiological understandings will eventually make it equal as a science to chemistry in hardness, especially once academics are aware of my theory ( . . . I hope).

Gary Saul Morson, the writer whose words I quoted against the notion of hard science because if political science were a hard science, there would be no room for reasonable doubt for the same reason there is no room for reasonable doubt about most aspects of chemistry.  I find this no problem because (1) however hard a science is, it will never be complete, so there will always be important differences of opinion.

ns about aspects of it;  and (2) the axioms chosen to base a given hard science on will necessarily be a subjective matter, so squabbling at the roots of political science will always occur.

It may be exclusively the moral axioms of physical science that people will argue about, as they do now: for instance, which is better, a collectivist society or an individualistic one?  Answer: it would depend on whom you ask.  Security versus freedom.  The first is better for certain people, the second better for others.  Which is why our nation and others mix the two.  But how much of either is the right mix will always be debatable.

* * *

I’m definitely out of my eurekan zone.  While briefly in it, I coined a few new terms, as I tend to do when I feel at my best.  One was “conclusory,” which consists of verosophical conclusions and the actions taken because of them.  I was thinking about the many people involved in the sciences who are not seeking important understandings of anything but using the conclusions such understandings lead to as the basis of technological accomplishments.  But that would mean they are working in technology, so “conclusory” is not needed.

“Techthetics” was my word for the equivalent field in Art.  It would be for the technological use of art for decoration.  I was trying to differentiation those artists who advance their art from mere “techthetists” who just use received art to make salable paintings that go nowhere man has not been before.  But the umbrella term “technology” covers such people as readily as it covers those whose field is applied science.  So, good-bye “techthetics.”

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Entry 1731 — Some of My Internetting Today

Saturday, February 21st, 2015

I stole the following from my friend Lynne Kositsky’s Facebook page:

KafkaSaying

I was there on Shakespeare-Authorship-Question (SAQ) business.  Here’s what I wrote:

Hey, I see you’re at “Self-Employed,” Lynne. I used to be there, to, but am now at “Self-Fired.” The reason I came here, though (nice site, by the way), is to ask what I hope you won’t consider an impertinent authorship question: would you agree with me that Kevin Orlin Johnson is detrimental to Oxfordianism and that his being almost unanimously agreed with (and praised!) by his fellow Oxfordians could cost Oxfordianism credibility with anyone neutral who happened to see the thread his post is in? Some Oxfordian should gently help him toward a bit more reasonability, it seems to me.

(In case you forgetted, I am on record as accepting that there IS evidence for Oxford as the True Author: for instance, his being named a playwright. Many, perhaps most, of my authorship colleagues would not count this as evidence, but it puts him in a fairly small group of people known to be able to write the kind of thing the True Author did, if not necessarily as well as he did [and I, again unlike my colleagues, am unwilling to say Oxford’s known writings indicate he could not have been the True Author, because we do not yet, in my view, have an objective way to indicate that].

I believe in a hierarchy of evidence (for demonstrating that a given person did X) that begins with data that makes him one of, say, ten thousand who are the only ones in the world who could have done X, and goes up to data that makes the person one in one who could have. But that does not end the matter. I believe that data that makes the person one among only one who could have done X should then be arranged in a hierarchy going from anecdotal data, say, through impersonal data on up to the testimony of ten thousand or more witnesses who personally know the given person, and say they personally saw him do X. Or the like. This part of my analysis of kinds of evidence gets complicated.

I think too few on either side of the SAQ think very deeply about what evidence is and isn’t. I feel I still have quite a way to go before I can consider myself on top of the subject.

There, lucky you: a whole bunch of words from me, none of them insulting (I hope).

all best, Bob

At her timeline it says she’s an “award-winning at Self-Employed,” hence my liddle joke.  at the beginning of the above.  Here’s the text by Kevin Orlin Johnson I was referring to in my post to Lynne:

You know, we really just need to leave the Stratfordians to themselves. They’re the fringe, they’re the irrational, they’re the ones who will never, ever accept evidence, no matter what.

When we’re dealing with people who keep saying things like, “Most crucially, Shakespeare absolutely was recognized as an author during his lifetime. About half of Shakespeare’s plays were printed during his lifetime. Many of those list his name as author on the title page,” we have to recognize that we’re dealing with people who simply cannot get it.

It may be natural density, it may be some unfortunate emotional or psychological disorder, but that argument–central to their position–automatically disqualifies them from rational discourse and confirms that they’re never going to be able to understand the question, much less the answer.

Let them say what they will, let them print what they will. Let’s channel our time and other resources toward producing positive research proving that Oxford is the author. That shouldn’t be so difficult. And with a body of sound work on the record things will set themselves right when this generation of Stratfordians passes away.

Here’s my critique of the above, which I wrote because I like to do the kind of analysis it requires:

Kevin Orville Right.  I mean, Kevin Orlen Johnson: You know, we really just need to leave the Stratfordians to themselves. They’re the fringe, they’re the irrational, they’re the ones who will never, ever accept evidence, no matter what.

Me: 1. If they are the fringe, why are there so many of them?

2. Define “evidence.”  Can you really believe ALL Stratfordians are PERMANENTLY incapable of accepting evidence?  I won’t suggest you mean what you say, which is that they won’t accept any kind of evidence, for I’m willing to allow that you meant SAQ evidence.Johnson: When we’re dealing with people who keep saying things like, “Most crucially, Shakespeare absolutely was recognized as an author during his lifetime.”

Me: Few of us say that.  We say things like, “Shakespeare was recognized by many during his life as an author.Johnson: “About half of Shakespeare’s plays were printed during his lifetime. Many of those list his name as author on the title page,” we have to recognize that we’re dealing with people who simply cannot get it.

Me: You really don’t accept the names on title-pages as evidence for Shakespeare?  It’s not proof of that, but it has to be considered good evidence of it, particularly when there is no explicit evidence from the time that the title-pages were fraudulent or mistaken. And we advance many other arguments that you are ignoring here that are supported by explicit evidence–his actual picture in the First Folio, for instance–which Ben Jonson’s words authenticate.  Sure, it’s possible he was lying, but where is the explicit evidence that he was?  That is, do you have a letter of his in which he says that he feels ashamed of his lies about Shakespeare, but realized the importance of keeping anyone from finding out . . . the Truth.

Johnson: It may be natural density, it may be some unfortunate emotional or psychological disorder, but that argument–central to their position–

Me: No, it isn’t–at least for me.  At the center of my argument is Leonard Digges’s poem in the First Folio because (1) circumstantial evidence makes it hard to believe Digges did not personally know Shakespeare; (2) he calls him “the deceased Author Maister W. Shakespeare,” thus both naming him and indicating his status as a gentleman; (3) he mentions his tomb in Stratford, which names him, gives dates of his birth and death which church records confirm and speaks of “all he hath writ” and says he had the art of Virgil; (4) all this in a book with Shakespeare’s picture in it and the testimony of three men known to have been friends of his that he had written the plays in the book.  I suppose someone could fail to accept this as demonstrating that Shakespeare was the author of the plays in the First folio and not have “some unfortunate emotional or psychological disorder,” but to refuse to accept it as evidence of that is absolute proof of that.

Johnson: automatically disqualifies them from rational discourse and confirms that they’re never going to be able to understand the question, much less the answer.

Me: What in the world is the question if not, “Who wrote the works attributed to William Shakespeare?”  How can anyone not understand your answer, “The 17th Earl of Oxford,” however hard to understand why it is the answer?

Johnson: Let them say what they will, let them print what they will. Let’s channel our time and other resources toward producing positive research proving that Oxford is the author. That shouldn’t be so difficult. And with a body of sound work on the record things will set themselves right when this generation of Stratfordians passes away.

Me: Considering that your side has had more than 150 years since Delia Bacon wrote the first serious attempt to show that Shakespeare did not write the works attributed to him, and almost a century since John Looney advanced the theory you all now believe in that Oxford wrote those works, why do you need more time.

I’m also curious to know if you really believe no one of your generation is a Stratfordian (which I take to be people born around 1990).

One person responding to what Tom Reedy said about Johnson’s post (which was what made me take a look at it) thought something call the “Dunning/Kruger Effect”, explained it.  Here’s what an entry in Wikipedia said about it:

Dunning and Kruger proposed that, for a given skill, incompetent people will:

fail to recognize their own lack of skill
fail to recognize genuine skill in others
fail to recognize the extremity of their inadequacy

The phenomenon was first tested in a series of experiments published in 1999 by David Dunning and Justin Kruger of the Department of Psychology, Cornell University. The study was inspired by the case of McArthur Wheeler, a man who robbed two banks after covering his face with lemon juice in the mistaken belief that, because lemon juice is usable as invisible ink, it would prevent his face from being recorded on closed-circuit-television surveillance cameras.

They noted that earlier studies suggested that ignorance of standards of performance lies behind a great deal of incorrect self-assessments of competence. This pattern was seen in studies of skills as diverse as reading comprehension, operating a motor vehicle, and playing chess or tennis.

I quote it because amusing.  It is also valid but not illuminating.  For it to be that, it would have to explain the effect, not just describe it (although it has been extended by others to suggest that the incompetent have many incompetences, one being a poor sense of humor.

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Entry 1728 — Abobble in Mine Mind Mine Again

Wednesday, February 18th, 2015

Should the names of those contributing to a political campaign, or anything else, be prevented by law from being anonymous?  I say no, because (1) you should not have the freedom to know things about me I don’t want you to know; you should still be allowed to find out all you can about me that you want to so long as you break not laws; but I should be protected from your investigation by, for example, a political committee I send money to if they are willing to keep my name private, and they should be allowed to do that if they want to; (2) only morons evaluate a cause by who is for, who against it.

While on the subject, I also believe a person should be able to invest as much money, or the equivalent (like labor or pennants) in anything he wants to, anonymously and without anything about his investment being revealed–which means that the people running whatever he is investing in should have the right to keep all facts about their operation private–except, I suppose, to the IRS, in a country unfree enough to tax.  To me, it’s simply a matter of allowing a person to use his property, which includes his money, any uncriminal way he wants to.

* * *

What if you and nine other people your age all died, and found out you’d be given new lives but would forget the life you’d just lived.  The ten of you were then asked to choose which of the two situations would apply to all of you: everyone would be win a permanent income of fifty-thousand dollars,or the equivalent in today’s dollars, or nine of you would be given a permanent income of forty-thousand dollars a year and one, chosen randomly would be given a permanent income of one-hundred-forty-thousand dollars a year.  Which would you choose?

Assuming the others were more or less like you in background, which do you think the others would vote for?

I’d instantly choose the 40/140 set-up.  For me the difference between forty and fifty thousand wouldn’t be much, but between fifty and a hundred-and-forty tremendous.  I frankly don’t think the higher amount would make the others’ lives as much better as it would make mine.  They’d be like Bill Gates, hardly doing anything of value with their wealth.  By my standards.

Redistributing money by contributing to charities as Gates seems mostly to do doesn’t do any more than redistributing the money by buying neat things for oneself, as I would do with my wealth; the difference between me and most others winning the extra income would be what I believe I could do with it versus what they would: like setting up think tanks to investigate questions like the neurophysiological basis of learning, or work out a taxonomy of poetry, or any other of a number of things–after supplying me with the computers and peripherals to allow me to do all I think I could do as a poet.  As opposed to new cars and vacation trips, etc.

Maybe a more interesting choice would be between $50,000 a year for everyone, and $20,000 a year for nine and $320,000 thousand a year for one.  I think many more would vote for the 40/140 than for the 20/320.  Twenty-thousand would be fine with me.

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Entry 1726 — A Brief Scatter of Thoughts

Monday, February 16th, 2015

I can’t understand how anyone can be considered to have been born with any rights.  Each of us is born with might, which–if effective (the way most babies’ crying is)–will convert to various rights . . . and unrights.

It may make more sense to believe each of us is born with conveyable rights–that is, we have no rights of our own, but can grant rights to others.  This is a deep thought.  Urp.

“Nuptuage,” (NOOP shoo ehdj): my very tentative new replacement for the word, “marriage,” now that the nullinguists have succeeded in killing it for any useful purpose.

In the latest issue of The New York Review Michael Walzer reviews two books on group-decisions.  In his piece, he writes, “I am reminded of a passage in the Babylonian Talmud (tractate Sanhedrin)that holds that if, in a capital case, all the judges vote to convict, the defendant is acquitted.  The absence of dissent means that there wasn’t an adequate deliberation.”  I at once thought, “Yes!”  My head quickly cleared when I realized that the judges could assign one of them always to dissent.  I also remembered that a valid verdict can be quickly reached in more than a few cases.

Shouldn’t the judges logic require the execution of a defendant they all vote to acquit?

The books Walzer discusses are to a great extent about how to improve group-decisions.  They seemed vacuous to me.  But I am biased against groups.  For me, the best way to improve a group is to reduce its membership to a single person.  If you want mush decisions, ones that are hard to disagree with but don’t accomplish anything much, increase a group’s membership, and include a lot of women.  They will use their socioceptual abilities to neutralize male logic.  Of course, one-person groups will also make the worst decisions.

Moreover, groups actually make all the decisions.  It’s just formal groups that are bad.  In fact, in my view, the best decision-makers are those who are in the most groups (externally)–and in the most varied groups.
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Entry 1703 — A Question and Some Other Stuff

Saturday, January 24th, 2015

Has there ever been a quarrel between two people in which one of them was entirely in the right?

* * *

A math poem that is resisting effectiveness (so far!): the sun times wonder, rhyming stairs up to a blazing need to be heroed over equals Zeus. Ah, I will replace the word, “sun,” with color. And “wonder” with “wUnder?”

* * *

Now for a news story I read a little while ago that is most certainly worth a rant. Actually, now that I think of it, I’ve recently read two stories–no, three(!) that are worth rants.

One I read over a week ago.  It was about the local schools’ recent decision to increase the school day by fifteen minutes.  Since I believe the school day should be reduced to zero minutes, except for the parents who want it forced on their unfortunate children, because such parents are unlikely to have children bright enough to be made too miserable by it, I am opposed to this.  On the other hand, I’d not be so against it if those running the show would dare let some random number of kids have a school day shortened by fifteen minutes, with a comparison made between how much they learned and how much the others kids learned at the end of a full years of shortened and lengthened school days.  If there were an intelligent way of measuring how much each kid learned (as opposed to how much each kinds’ ability to do well on tests about moronically small portion of the significant kinds of knowledge their are), I would bet actually money that the kids with the short days would score pretty much the same as the kids with the long days, bit be a lot more happy (or less unhappy) about their time in school.

Note: yes, I’m biased: I have more than once asked myself if there was one day when I was going to school (k-12, I mean) that I looked forward to an upcoming school day.  Of course, my old memory isn’t too accurate, so it may be wrong that there were none whatever.  But there could not possibly have been more than a few.  Oh, actually, I did look forward to all the last days of the school years, and the ones before Christmas and spring breaks.

Note #2: I believe educators, not just locally but throughout the United States, have no idea whatever as to how to determine how much learning the victims of formal education get directly from what they are taught in school.  Otherwise, an interesting research project for sociologists would be to interview a large number of different adults and carry out background checks on them in depth with the goal of determining how much what they genuinely learned from school they used in their vocations.

Needless to say, such a project is ridiculously unfeasible.  It also has the disadvantage of lacking enough adults with little or no formal education to compare with the ones with it.  I claim that, except for those vocations making it against the law for anyone lacking the right formal schooling to practice it, those without the formal education our laws require would be found to be as effective at their vocation as those with  it.

A bit of real-life support for this is the number of persons practicing medicine who don’t get caught because of incompetence but because someone disliking them checks up on where they said they got their degrees from and finds out they never went to college.

Before considering me entirely crazy, remember that I am speaking of formal education.  In order to be effective at any vocation, a person has to learn a great deal.  I merely contend that most people can do this better by something Americans like Edison and Franklin used to be quite good at: self-education.  That means, among other things, finding the right teachers, and getting a lot of on-the-job training, and–even more–off-the-job osmotic absorption of the knowledge the person learns well because he was looking for it, unconsciously or consciously–looking for it because he believed he would find it wonderful, not because his search for it had been assigned.

 * * *

 I didn’t expect to write so much on the first of the stories I read.  The other two, like the first, had to do with the rapidly expanding power of rigidniks in the world.  One concerns a group of scientists who want to “improve” the spelling English words, the way George Bernard Shaw (among others, I’m sure) wanted to.  The other has to do with a local government’s decision to stop subsidizing a visul art gallery.  I’m against all government subsidies, BUT will argue for this one because, not being a moron, I do not believe that I am compelled never to take advantage of some government law because I am opposed in principle to the law.  Why? Because there is a hierarchy of principles for me, and at the top is the principle of doing what in the circum-stances seems best for me.  In this case, if I were living in a free country whose government wanted to use tax money to subsidize poet, I would be against it.  If the government succeeded in passing a law allowing it to subsidize poets and I were offered a subsidy, I would accept it, because I would no longer be living in a free country, and getting money would seem best to me in those circumstances.

A better argument, I now see, is that my principle would actually be of being for government which would not subsidize anything except the few things I believe a government is justified in subsidizing such as a military establishment (and, perhaps, regulation to curb a very few economic practices who probable short term effect would occur too quickly for the sluggish correction of the market to take effect such as pollution of the environment and over-population because of the limited long-term intelligence of the masses, and many who are superior to the masses but unable to say no to a quick profit).  I do not see that my second principle of being also, given a government that grants subsidies, for such a government’s giving subsidies to artists of any kind.  

Another example: I was against the draft, which was in effect when I was a young man, but when (in effect) drafted, I served in the military.  My principle of avoiding hassle or possible imprisonment, trumped my principle of opposition to the draft.

I am in favor of the death penalty for murderers.  Nevertheless, if the government passed a law requiring murderers free room and board in prisons instead of execution, and I murdered someone and were caught, I would not beg to be executed.

If the government decreed that a bridge be built over a river a mile away from a bridge already crossing the river, and I had voted against the construction of the second bridge, I would use it rather than the first bridge when it seemed more convenient to do so.  And so forth.

I’m not sure I made my case that well.  It’s a difficult one to make although I am completely sure I’m right.  I would be extremely grateful to anyone who pointed out in a comment where I went wrong, if I did.  I’ll even promise not to call him a moron.

I think those for the kind of ersatz consistency I’m against would probably tell me I ought not favor making the school days fifteen-minutes than they now are, I should not be for anything other than reduction in the school day’s length to zero.

* * *

Tomorrow, my response to the rigidnikry of regimented spelling of English words, then one one in favor of the subsidy of the visual art gallery.

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Entry 1698 — Scraps of Possible Brilliance

Tuesday, January 20th, 2015

Scrap #1: while I was idly thinking about my theory of knowlecular psychology’s main flaw, that it is a cluster of invented mechanisms with little known neurophysiological basis, like Freud’s subconscious, id, ego, etc. ,  it occurred to me that the two main ways of doing science, theory-spinning and empiricism, can be thought of as  striving for a maximally-plausible explanation of known events (theory-spinning) versus striving for a maximally-accurate description of unknown events (empiricism).   Wanting to know what in the brain causes a person to remember his fourth-grade teacher versus what results from the activation of a given brain-cell.  Theorizing from result to possible cause versus physically searching from cause to possible result.

Scrap #2: Scrap #1 indicates how long it can take a fairly competent brain to turn what seems to it an idea of more than small interest badly expressed into what seems a trivial idea better expressed, in this case: The two main ways of doing science are theoretical science, which is the full use of the imagination to theorize one’s way from event to possible cause, and empirical science, which is the minimal use of the imagination to physically explore one’s way from event to possible result.

Scrap #3: Scrap # 2 may be a lie . . . no,make that, “unintentionally inaccurate statement.”

Scrap #4 (something about poeticks!): For the past two or three years I’ve been reading a lot of mainstream poetry and reviewing it for Small Press Review.  I have genuinely liked twenty or thirty percent of it, and found almost all the rest of it passable, just not to my taste.  Only a few times has a mainstream poem made me bubble o’er with delight, however.  Why?  Because, however snowflake-unique they are, the differences between them come to seem barely noticeable.

Now I’m talking about a kind of poem that has dominated the mainstream for fifty years or so but which may not be the only kind of mainstream poem, the one often called the Iowa Workshop Poem.

Background Scraps:

The Iowa Writers’ Workshop is a two-year residency program which culminates in the submission of a creative thesis (a novel, a collection of stories, or a book of poetry) and the awarding of a Master of Fine Arts degree.

For more than 75 years emerging writers have come to Iowa City to work on their manuscripts and to exchange ideas about writing and reading with each other and with the faculty. Many of them have gone on to publish award-winning work after graduating. With the spirit of an arts colony and the benefits of the research University of which we are a part, the Writers’ Workshop continues to foster and to celebrate American literature in all its varied forms.  (Note: by “all its varied forms” is clearly meant, poem, novel, play, short story, etc., nothing more specific, like “visual poem,” which it may begin”to foster and celebrate” in another 75 years.)

This program either was the first to grant MFAs in poetry, or central to the academic, then socio-economic success, of them–to the benefit of mediocrities and cost of their superiors in the field.

Scrap #5: Actually, for possibly twenty years, jump-cut poetry under the misleading pseudonym of “language poetry” has been acadominant, which is to say that it has become the most prestigious kind of poetry in academia.  Its practitioners have won more than enough prizes and positions for it to now be considered one of the mainstream poetries.  But it doesn’t get into any of the mainstream publications I’ve been reviewing–well, except for token appearances in Poetry and the like–and is not reviewed by mainstream critics like William Logan (unless you count poets like Jorie Graham and John Ashbery “language poets,” as some do).

Scrap #6: My problem, in any case, is with Iowa Workshop Poetry.  Writing these scraps, I suddenly see that much of it, curiously, is due to my preference for theoretical science to empirical science, for it is almost entirely a kind of empirical poetry, carried out mainly in a poet’s practiceptual awareness, and never, it would seem, in the higher regions of the poet’s magniceptual awareness.  (And just as many more science professionals are empirical workers, not theoretical thinkers–although the most gifted of the former sometimes make just as important discoveries, many more poets are MFA poets, not otherstream–i.e., adventurous–poets.)

The poets I’m speaking of are more than anything else, personal poets telling us about their lives and the real world around them, in easy to understand language.  Personality and point-of-view are important for them, not technique.  Their poetry is basically conversation.  You empathize with them or you don’t, you agree with them or you don’t.  Little else matters.

* * *

I’m sure I had more to say about Iowa Workshop Poetry, but my head has gone blank.  Maybe tomorrow I’ll remember enough of it for an entry.

.

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Entry 1684 — Billy Graham and Others

Tuesday, January 6th, 2015

I tore what’s below out of a recent issue of my local paper:

AdmiredCelebsThis interests me for what it reveals about the media and polling.  It seems to me the actual question asked of the 38% of the sample who named the top eleven males and the 41% who named the top ten females was, “What did the media convince you to name the man or woman you most admired?”  A study that could test this would determine which names came up most in the media during the past year shown in a favorable light.  It might be broken down into print media and TV.  Perhaps for better analysis, the number of minutes named persons were shown on television . . . no, how many viewer-minutes they were shown for.

A more intelligent question would be, “what living person has most influenced you to do the things you’ve done in your try to be the best you could be?”  That would require one reporting on it for a newspaper to do a bit of work, for I think the answers would not be household names.  (I tried to find out how many who were polled named a friend or relative; I found nothing about the most recent poll, but on the one before that, 9% named a friend or relative; something over 30% [I’ve lost the link] named “others.”  Only 1031 people were polled.  A question just occurred to me: were they asked to think about the question and be ready to say what it was in two weeks or a month?  No.  The poll itself only last two weeks or so.)  Follow-up questions would be required, to get a few pertinent facts about each person’s mentor, or the equivalent–in particular, what it was about him that caused the one naming him to try to emulate him.

A much better question would be, “Who, of all the people you know or know of, living or dead, have you tried to emulate the most–or wished you’d emulated the most?”  “Or will try to emulate in the future?”  I wonder how many living people would be named.  How many people known personally by those naming them.

For me, it would be George Bernard Shaw early on, then (probably) Ezra Pound.  A problem for me is that I don’t think anyone really influenced me: I did what I was predestined to do by my genes, but picked out persons before me whose example encouraged me to not give up (alas).

The influence on me of others’ thought or art is a different story.   Too many to name.  The question would be whom I thought most worth stealing from, not whom I most admired.

Once again I’ve written up something and found I used up all I could say about it way too soon.

Note: while doing a search for information about this poll, I came across a guy calling himself “Pumpkin Person” who seems more politically incorrect than I.  Ethnic IQ is his main subject.  As my readers know, I escape political incorrectness about IQ scores because I don’t think they mean much.

I guess that’s it for today–except to say that to get my word-count over 500 (which it wasn’t when I wrote this line; I later added something above).
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Entry 1671 — Cat from a B. Kliban Calendar

Wednesday, December 24th, 2014

I’m friends with the brother of the late B. Kilban, so each year get a B. Kliban cat calendar from him.  I was putting last year’s calendar away when I thought of using my favorite cat in it here, being in my null zone again.

November2014Cat-BKliban

This is about the best depiction of the painter at work that I’ve ever seen.
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Entry 361 — Attitudes toward the Language « POETICKS

Entry 361 — Attitudes toward the Language

The imbecile wants words to be meaningless so that everyone else will be as incapable of achieving understanding as he is.

The philogusher (lover of gush) wants words to mean just about anything so he can babble away to his heart’s content on any subject without worrying that others will try to get him to make sense.

The propagandist wants words to be ill-defined, if defined at all, so he can more readily use them to persuade people to do his bidding, by campaigning for political office in part by advocating support for “freedom of speech,” for instance, but meaning “freedom to say what is permitted.”

The aesthlinguist wants words to be defined by the masses because of his love for the beautifully polysemic confusion engendered by the language which the passive surrender of the definitional process to those least capable of making it an effective aid in the search for large understandings results in.

The verosopher wants words to be defined with maximal-accuracy (recognizing that they can’t be defined perfectly) so as to facilitate the  discovery and communication of increasingly valid understandings of existence.

Four kinds of nullinguists, one kind of verosolinguist.

2 Responses to “Entry 361 — Attitudes toward the Language”

  1. Geof Huth says:

    Usually, I resist responding to such notes, but my interest in linguistics has forced one short note. First, there are no definable beings as imbeciles and philogushers, no-one who would want such things. This is merely an act of making up enemies (nullinguists, in this case). Second, I don’t think propagandists benefit by words being ill-defined, though they might define them for their own purposes, but there’s nothing particular to propagandists in this case. Note, for instance, your definition of “visual poetry” for your own purposes. Third, there’s no such person as an aesthlinguist as defined here, a person who actively surrenders definition to the least equipped. Fourth, you are the the verosopher, not sure there are others.

    My take on meaning is that it will change over time and that many words and terms will have multiple meaning and that there is no way to stop that and no particular benefit. You currently use at least hundreds of words today in ways significantly different than you did when you were ten, and that’s because the language will change. There’s no stopping it. Even technical jargon, which you’re most concerned with, will change. And even technical jargon is based on human agreement of meaning, rather than one person stating some meaning.

    Finally, do not forget that I have no single definition for “visual poetry.” I have identified four different definitions in use. Your preferred use is one of those, but it is not my preferred use, and that is because my preferred use, my preferred sense of the word, is the most common sense.

    I’m really just being a linguist here. No idea what a versolinguist is, but it sounds like the reverse.

    Geof

  2. Bob Grumman says:

    Only one comment back at you, Geof: of course, I define “visual poetry” for “my own purposes.” Everything any human being does is for his own purposes. But I am nothing like a propagandist, as I describe one above. I want words to be clearly defined, each in such a way as to differentiate what it defines from everything it isn’t as sharply as possible, like your quadruple definition of visual poetry does not. The purpose of a propagandist with regard to the use of words, as my description of his attitude toward the language should make clear, is completely unlike mine. His is to use words to further some activity other than the search for truth; my purpose, as a verosopher, is exclusively to use words as best I can in the search for truth. Which often means opposing their irresponsible pollution by the masses, and by nullinguists.

    Yes, smoke coming out both my ears, but I shall not quit the field!

    –Bob

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Entry 607 — More from Spidertangle « POETICKS

Entry 607 — More from Spidertangle

Later Vernon Frazer entered the discussion:

Thanks, John. I use “definitions” as a shorthand for conversational or descriptive purposes. As far as trying to work, I avoid the “prescriptions” suggested by definitions because they impose limits on my thinking and interfere with my working at my best. Without the work, nobody would have fodder for all the differing definitions. I’m flashing back to Wittgenstein and trying to define “game.” 

ME: Sorry, Vernon, but I’m (obviously) not a Wittgenstein fan.  Just because a few words are hard to define, at least for someone like Wittgenstein, doesn’t make the eternal struggle to define words (in order fully to understand what they denote) futile. As for the “prescriptiveness” of definitions, they are only prescriptive about how an artist can responsibly label his works, not—if he has a functioning brain—about how he can make them.  I am annoyingly repetitious about stating this, because it seems to me the main misunderstanding artists have about criticism.  (Which is dependent on what artists produce—but that is dependent on what prior artists have produced and, I believe, on what critics have said about it.  A work of art ultimately is not merely what it is by itself, but that and what others have said about it.   –Mr. Cantshuddup

Bobbi Lurie again:

wittgenstein fan or not–

what is this?

is this vispo or not?

http://the-otolith.blogspot.com/2011/10/bobbi-lurie-ludwig-wittgenstein.html

ME: I like your image a lot, Bobbi, but I have to be sarcastic in answering your question: it’s a musical automobile, so a branch of chempo, not of vispo.

Nico was less sarcastic:

I wouldn’t tag it as such, no.

There are these websites you find when doing a search of visual poetry that pertain to photography, wedding shots, naturescapes, etc. They use visual poetry as a descriptive for hallmark type sentiment.

Your drawing of Ludwig is very much reminiscent of egon’s stuff,

ME: Same response here.

which I like quite a bit. It’s not vispo tho. My own filter for such things usually entails the existence of a focus on alphabet. That’s primary to me, but not all on this list. I giggle at your use of
Sophistication. I think we’re still in the process of hammering it down – the ongoing sixty year process. The inability to pluck a satisfying set of terms by now – one that’d satisfy most practitioners just spotlights the fact that this practice is separate to separate people. That means nothing gets answered or gets answered in myriad ways.

ME: At one point I spent some time trying to determine how I thought works concerned with the alphabet should fit into my taxonomy.  I think I concluded that the alphabet is verbal—a peculiar sort of word meaning “these are the letters, in order.”  However, with the works you’re speaking of, Nico, letters are the subject, not the alphabet, so for me they are textual designage.

NICO: Anyway, I did apologize for bringing this up.

ME: As opposed to leaving Spidertangle as a no-discussion zone?

Bobbi replied:

Thank you, Nico. 

As I wrote to David, I really needed this description.

Yes. Sophistication meaning “I don’t know what these people are talking about. What is the secret?”

The fact that you’ve been struggling with terms….may I suggest you just say: “the alphabet must be included–this is in relationship to written language–the representation of something via language vs. via image” (clumsy this, i know, but that would have helped me in the several year search i’ve been on, asking vispo artists this question)

ME: Too bad you somehow missed me, your fellow Bobbi/Bobby, Bobbi.  I’ve been cranking out the dogma that poetry has to have significant words for years, and that it’s silly to consider “visual poetry” not to be a form of poetry. Very few in the visiotextual field (but probably everyone in conventional poetry) agree with me, even though I have a fairly broad idea of what “words” are—I accept word-fragments, punctuation marks, any typographical symbol (like @), mathematical symbols and even the alphabet or some section of it long enough to identify it as an alphabet, as “words”—and don’t dispute that at the border between the verbal and the visual there are activities going on of value that may also qualify as visual poetry (since no definition can have a sharp border—unless it’s of something not in the real world like odd numbers).  Seems to me an art should be defined first of all by what materials it explicitly uses in general (words or visual images, say), then by how it uses them, again in general (by pronouncing them or recording their sound, in one case; in the other, by recording their shape and color); a sub-art, like visual poetry, should be defined by what specific materials it uses and how, specifically, it uses them—words and visual images together by recording their sound, shapes and color.  And so forth, finally to capture even the subbest of arts like Shakespearean sonnets or visiopoetic maple solitextual (i.e., solely textual) sculptures . . . 

BOBBI to Nico: please do not apologize. i am so happy to read this–i didn’t know if i could legitimately send my art work to anyone other than Mark Young of Otoliths, who is tolerant with my experiments / does not define his journal in terms of vispo, unlike others here.

i will have to check closely on this, but from your definition, i’d say a lot of editors are letting a lot of things pass for vispo which isn’t vispo.

thank you, Nico.

ME: We need editors like Mark Young who publish art they like regardless of what it is, but it’d be nice if they could let what they want be known in precise language.  Almost everyone in the otherstream publishes anything.  Anyone who wants material of a specific kind has to carefully say so because “visual poetry” tends to mean anything.  Not just works that are visual but not verbal, but works that are verbal and not visual.  My press doesn’t get submissions anymore, but when it did, people would send me poetry about sunsets—hey, sunsets are visual!—and complain when I rejected it as not visual poetry, which my press was primarily looking to publish.

David Baratier was next up:

People who solely practice visual art or vispo
are verbose and vague
either due to lack of words in their art
or to leave open a potential name shift
to make themselves popular again.

Miro was before vispo, so he is a precursor.

From outside the gates it looks like the best known vizpoets
call themselves artists because vispo is an unknown term to them, or
a fringe term (as Karl pointed out, coming into being as an antithesis
to the concrete poetry movement rather than an art term). Vispo
also has movement qualities rather than just a name.
Ruscha, Jenny Holtzer, Robert Indiana and so on are artists.
.
ME: Ruscha, Holzer and Indiana are all, in some of their works, visual poets, regardless of how they see themselves.  I haven’t seen anything by Miro that seems a visual poem to me, but a few paintings by Klee seem close to being visual poems.  Stuart Davis made some, and so did Magritte.  Picasso may have, too.  I’ve shown these at my blog where I’ve also shown images from ARTnews,, which has something I consider a visual poem in almost every issue.  Visual artists added typography naturally to their subject matter just as they added everything else previous visual artists disregarded, and the world was already set up to accommodate their work as visual art in galleries and museums, so they had no need to call it anything special.  Poets becoming visual did, because their visual poetry was much more radical (because generally a good deal more verbal) than that of artists like Ruscha—and the venues for conventional poetry had, and are still having, trouble with it. 

VERNON: I think the discussions—and Wittgenstein’s increased presence in them in more than one capacity—demonstrate what I was trying to get at. Nobody agrees on what vispo is, even when they look at the same work. If you worry too much about the definition, you won’t concentrate properly on what you’re doing. Some people say I’m a visual poet, some say I’m not. And I’m certainly not one all the time. But I might be one some of the time, depending on who’s forming the opinion.  What I gather from today’s debate about definitions is: do the work and let the definitions fall where they may. 

ME:  As I’ve already said, poets shouldn’t care.  For critics or people trying to work out a reasonable poetics, it’s a different story.  Unfortunately, too many in these two cultures see those in the one they aren’t in as enemies or fools.

No doubt there will be more. 

Diary Entry

Tuesday, 27 December 2011, 5 P.M.  I only played tennis for about an hour this morning, but got tired.  Went to Mcdonald’s for a sausage and egg sandwich.  Got a little marketing done at the Winn Dixie near the McDonald’s, then got a nap of maybe fifteen minutes in.  After that, I spent a lot of time in the Internet discussion I made the subject of the day’s blog entry, which I just made the last corrections to, at least for now.  I guess I contributed over a thousand words to it, some of them insightful and/or interesting.   So I can’t consider myself totally out of it.  I feel the discussion itself will interest, or should interest, scholars later in the century, if only for what it reveals of one group of creative artists yakking with/at each other.  I’ve done no Work of Consequence, though.  I am now going to work up a hand-out for my exhibition, then probably take the rest of the day off.

.

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Entry 485 — Another Politically-Incorrect Thought « POETICKS

Entry 485 — Another Politically-Incorrect Thought

 

It seems to me the word, “marriage,” should be reserved to describe better things than a man and a mirror.

(Note: a world without homosexuals would be a hundred times less worth living in than the present one.)

 

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Entry 361 — Attitudes toward the Language « POETICKS

Entry 361 — Attitudes toward the Language

The imbecile wants words to be meaningless so that everyone else will be as incapable of achieving understanding as he is.

The philogusher (lover of gush) wants words to mean just about anything so he can babble away to his heart’s content on any subject without worrying that others will try to get him to make sense.

The propagandist wants words to be ill-defined, if defined at all, so he can more readily use them to persuade people to do his bidding, by campaigning for political office in part by advocating support for “freedom of speech,” for instance, but meaning “freedom to say what is permitted.”

The aesthlinguist wants words to be defined by the masses because of his love for the beautifully polysemic confusion engendered by the language which the passive surrender of the definitional process to those least capable of making it an effective aid in the search for large understandings results in.

The verosopher wants words to be defined with maximal-accuracy (recognizing that they can’t be defined perfectly) so as to facilitate the  discovery and communication of increasingly valid understandings of existence.

Four kinds of nullinguists, one kind of verosolinguist.

2 Responses to “Entry 361 — Attitudes toward the Language”

  1. Geof Huth says:

    Usually, I resist responding to such notes, but my interest in linguistics has forced one short note. First, there are no definable beings as imbeciles and philogushers, no-one who would want such things. This is merely an act of making up enemies (nullinguists, in this case). Second, I don’t think propagandists benefit by words being ill-defined, though they might define them for their own purposes, but there’s nothing particular to propagandists in this case. Note, for instance, your definition of “visual poetry” for your own purposes. Third, there’s no such person as an aesthlinguist as defined here, a person who actively surrenders definition to the least equipped. Fourth, you are the the verosopher, not sure there are others.

    My take on meaning is that it will change over time and that many words and terms will have multiple meaning and that there is no way to stop that and no particular benefit. You currently use at least hundreds of words today in ways significantly different than you did when you were ten, and that’s because the language will change. There’s no stopping it. Even technical jargon, which you’re most concerned with, will change. And even technical jargon is based on human agreement of meaning, rather than one person stating some meaning.

    Finally, do not forget that I have no single definition for “visual poetry.” I have identified four different definitions in use. Your preferred use is one of those, but it is not my preferred use, and that is because my preferred use, my preferred sense of the word, is the most common sense.

    I’m really just being a linguist here. No idea what a versolinguist is, but it sounds like the reverse.

    Geof

  2. Bob Grumman says:

    Only one comment back at you, Geof: of course, I define “visual poetry” for “my own purposes.” Everything any human being does is for his own purposes. But I am nothing like a propagandist, as I describe one above. I want words to be clearly defined, each in such a way as to differentiate what it defines from everything it isn’t as sharply as possible, like your quadruple definition of visual poetry does not. The purpose of a propagandist with regard to the use of words, as my description of his attitude toward the language should make clear, is completely unlike mine. His is to use words to further some activity other than the search for truth; my purpose, as a verosopher, is exclusively to use words as best I can in the search for truth. Which often means opposing their irresponsible pollution by the masses, and by nullinguists.

    Yes, smoke coming out both my ears, but I shall not quit the field!

    –Bob

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Language-Use « POETICKS

Archive for the ‘Language-Use’ Category

Entry 1745 — Denial

Saturday, March 7th, 2015

An “argument” far too often used in debates between the impassioned (I among them) is the assertion that one’s opponent is in denial.  “Denial,” I suddenly am aware, belongs on my list of words killed by nullinguists.  It has come to mean opposition to something it is impossible rationally to oppose.  When used in what I’ll a “sweeper epithet” (for want of knowing what the common term for it is, and I’m sure there is one) like “Holocaust-Denial” (a name given to some group of people believing in something), it has become a synonym for opposition to something it is impossible rationally to oppose–or morally to express opposition to!  Thus, when I describe those who reject Shakespeare as the author of the works attributed to him as “Shakespeare-Deniers,” I am (insanely) taken to mean that those I’m describing are evil as well as necessarily wrong.  Now, I do think them wrong, and even think they are mostly authoritarians, albeit benign ones, but I use the term to mean, simply, “those who deny that Shakespeare was Shakespeare.”

Or I would if not having the grain of fellow-feeling that I have, and therefore recognizing that small compromises with my love of maximally-accurate use of words due to the feelings of those not as able to become disinterested as I am may sometimes be wise.   Hence, I nearly always call Shakespeare-Deniers the term they seem to prefer: “Anti-Stratfordians.”  But I have now taken to call those that Anti-Stratfordians call “Stratfordians,” “Shakespeare-Affirmers.

(Note: now I have to add “disinterested” to be list of killed words, for I just checked the Internet to be sure it was the word I wanted here, and found that the Merriam Webster dictionary online did have that definition for it, but second to its definition as “uninterested!”  Completely disgusting.  Although, for all I know, my definition for it may be later than the stupid one; if so, it just means to me that it was improved, and I’m not against changing the language if the improvement is clearly for the better as here–since “disinterested” as “not interested” doesn’t do the job any better than “uninterested,” and can be used for something else that needs a word like it, and will work in that usage more sharply without contamination by vestiges of a second, inferior meaning.)

Of course, to get back to the word my main topic, “denial,” means the act of denial, and indicates only opposition, not anything about the intellectual validity or moral correctness of it.  Except in the pre-science of psychology where it means, “An unconscious defense mechanism characterized by refusal to acknowledge painful realities, thoughts, or feelings.”  I accept such a mechanism, but would prefer a better term be used for it.  For me it is a probably invariable component of a rigidniplex.  Hey, I already have a name for it: “uncontradictability.”

No, not quite.  It seems to me it is a mechanism automatically called into action against certain kinds of contradiction: facts that contradict the core-axiom of a rigidniplex, directly or, more likely, eventually.  Maybe “rigdenial,” (RIHJ deh ny ul)?   For now, at any rate.  Meaning; rigidnikal denial of something (usually a fact or the validity of an argument) due entirely to its threatening, or being perceived as a threat to) one’s rigidniplex, not its validity (although it could be true!).

When I began this entry, I planned just to list some of the kinds of what I’m now calling “rigdenial” there are, preparatory to (much later, and somewhere else) describing how it works according to knowlecular psychology.  I seem to have gotten carried away, and not due to one of the opium or caffeine pills I sometimes take.  I’ve gotten to my list now, though.  It is inspired by my bounce&flump with Paul Crowley, who sometimes seems nothing but a rigdenier.

Kinds of Rigdenial

1. The denied matter is a lie.

2. The denied matter is the result of the brainwashing the person attacking the rigidnik with it was exposed to in his home or school

3. The denied matter is insincere–that is, the person attacking the rigidnik with it is only pretending to believe it because the cultural establishment he is a part of would take his job away from him, or do something dire to him like call him names, if he revealed his true beliefs.

4. The denied matter lacks evidentiary support (and will, no matter how many attempts are made to demonstrate such support: e.g., Shakespeare’s name is on a title-page? Not good enough, his place of residence or birth must be there, too.  If it were, then some evidence that that person who put it there actually knew Shakespeare personally is required.  If evidence of that were available, then court documents verifying it signed by a certain number of witnesses would be required.  Eventually evidence that it could not all be part of some incredible conspiracy may be required.

5. The denied matter has been provided by people with a vested interest in the rigidnik’s beliefs being invalidated.

6. The denied matter is obvious lunacy, like a belief in Santa Claus.

7. The rigidnik has already disproved the denied matter.

8. The person advancing the denied matter lacks the qualifications to do so.

9. The rigidnik, as an authority in the relevant field finds the denied matter irrelevant.

10. The rigidnik interprets the meaning of the words in a denied text in such a way as to reverse their apparent meaning.  (a form of wishlexia, or taking a text to mean what you want it to rather than which it says)

11. One form of rignial (as I now want to call it) is simple change-of-subject, or evasion.

12. Others.

I got tired.  Some of the above are repetitious, some don’t belong, others have other defects.  Almost all of them are also examples of illogic.  But the list is just a start.  I’ll add more items to it when next facing Paul–who has a long rejoinder to the post I just had here.

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Entry 1686 — Of Mine Lingual Snobbery

Thursday, January 8th, 2015

Language Note: As some of you know, I’ve long expressed dismay at the way our language is being regimented: for example, it’s less and less dive/dove, or weave/wove, or light/lit, etc., but dive/dived; weave/weaved and light/lighted.  But the other day I noticed the use of “drug” as the past of “drag” and was bothered by it.  Consequently, I became bothered by my inconsistency, and recalled that I don’t like “brung” as the past of bring, either–although “thunk” as the past of “think” sounds fine to me!  Basically, however, I am a language snob: I applaud middle-class but not lower-class variety of tenses.

Wait, I can excuse my dislike of “brung” because it replaces “brought,” not “bringed.”  Similarly, “thunk,” is a superfluous variation since “think” already regularizes to “thought.”

I think the worst regularization is the one making the past tense of “wreak” “wreaked.”  “Wrought” is such a wonder word, and carries so much of our past with it.

* * *

I wonder why the verb, “to be,” is so unregular.  Is it our most irregular verb?  Why not “to is”: I is, you is, he is, they is, and I issed, you issed, he issed, they issed?  “To do,” a second verb I’d call central to the language, is not quite as interesting, but one of the verbs whose forms are twice-varied that I can think of, off-hand.   Swim, swam, swum.  There are probably a lot.  Sing, sang, sung.  Go, goes, gone.

* * *

I had another tiring day: a (losing) senior men’s league match in the morning, two hours in a dental chair in the afternoon, followed by marketing.  So what I has brung you so far be it for today.  Tomorrow six thousand words on why there is no “fromday.”  (Just kidding.)

.

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Entry 1276 — Marriage, Morriage & Mirrorge

Thursday, November 21st, 2013

More coinages today, these socio-political, I’m afraid.  Worse, they have to do with perhaps my most unpopular political view, although it’s actually linguistic, not political: that only the union (preferably for life) of a male and a female should be called a “marriage.”  Not because I’m homophobic (although I do consider homosexuality a defect like my own bald-headedness, and other defects of the kind that no one is lucky enough entirely to avoid) but because of my philosophy of lexicography.

Actually, I don’t mean lexicography, but don’t know the term for one who defines words.  Lexicographers do this, but much else.  I need a specific term.  On the internet, I found “orismology,” in the title of an article whose author called it “defining words,” but my dictionary defines it as defining scientific terms, and a further search of the Internet agrees with this definition.  So, I now have a term that’s too specific.

But that’s great! Now I’m free to make up my own word!  “Definer?”  “Meaningwright?”  That’s classier.  I’ll use it, for now.  No, I won’t.  I can’t think of what the craft of  “meaningwrighting” w0uld be called.  No matter, I just thought of a better term: “definitionsetter.”  Definitionsetting is what he does.  So, now not to my philosophy of lexicography, but to my philosophy of definitionsetting, as to why I’m against calling the life-long union of two males or two females a “marriage.”

One rule I go by as a definitionsetter is simple: to allow a word strictly to mean one specific significant thing only, the goal being to define it in such a way as to be able to use it to distinguish a given thing as fully as possible from  everything it is not.  Am I against generalities?  Only those  that fail to distinguish one set of  like things from a second that is significantly different from it.

Perhaps I should have begun with primary words–I’m sure there’s some name for them in formal linguistics, and that I should know it.  But this is a rough draft and I don’t feel like hunting it up.  What I mean by such words is words that have only one meaning.

On second thought, maybe there is no term for such words because there are no such words.  That is, it may be that there is no thing that cannot be broken down into subthings.  But there are words for what most people would consider specific things–my friend Marty’s Jaguar, for instance–and words most people would consider generalities, like “automobiles.”

I think the point I’m bumbling toward is really that we need to break generalities down to a reasonable specific–make the generality a generality-word denotes maximally specific.

I think what I’ve for years been trying to do as a definitionsetter with the term, “visual poetry,” will help show what I mean.  It ought not mean artworks significantly consisting of both meaningful graphics and meaningful words (semantically-meaningful words) AND artworks significantly consisting of meaningful graphics and textual matter that is not semantically meaningful but no semantically meaningful words because the two kinds of artworks are significantly different in kind–in a way almost anyone can objectively perceive.

My reason for opposing the definition of marriage for both the union of a male and a female and the union of two people of the same biological sex is exactly the same: I’m against using one word for two extremely different ways, however also related they may be in some ways.

I’m fading, so will close now.  More on this tomorrow.

.

Entry 1275 — “Anthrofaction” Gets Siblings

Wednesday, November 20th, 2013

In yesterday’s entry of my blog, I wrote of ” . . .  my latest coinage, ‘anthrofaction,’ a merging of ‘anthro’ (meaning related to human concerns) and ‘satisfaction.’” This, I went on to say, was “something art provides besides beauty.  As it does ‘triumphance,’ or whatever I know I coined several years ago for the feeling of accomplishment winning gives healthy people.”  Later I decided to call “triumphance,” or whatever else I may have called “that which causes sagaceptual pleasure, “triumphaction,” (TRI uhm fahk shuhn).”

Upon still further reflection, motivated in no small part by my continuing desire to refine the meaning of “beauty”–reduce it to its smallest essence, to be specific–I separated the “verosophical pleasure (that is) the result of the perception of some abstract pattern’s underlying a solution to a verosophical question (of any size)” from the verosophical pleasure resulting from “the recognition that the solution is right,” and called that which causes the latter, “perceptifaction” (for “a satisfying [intellectual as opposed to sensual] perception), which, I went on to ordain, was not a kind of beauty.

ERROR NOTIFICATION (because I’m too lazy to go back and revise what I said yesterday and so far today, and because posterity will be delighted to see how I went wrong but then corrected myself): I’ve been confusing my different kinds of pleasure with the stimuli that cause them.  What follows ought to get things right.

At this point I have two kinds of beauty: concrete sensual beauty that all effective works of art have but no verosophical works do (to any significant degree), and abstract asensual beauty (symmetry, elegance, mathematical patterning, and other attributes that are not primary attributes like color and shape but secondary relationships that, frankly I haven’t pinned down very well yet but which seem intuitively to me to be different in kind from the color of the sky or song of birds).

Abstract Beauty causes a reducticeptual pleasure I am now (tentatively, because I almost always hope I or someone else will eventually improve my initial coinages) . . . Oops,  don’t think I have a term for it!  So, I have a lexicuum to come back to, if I can.  Another’s coming up.

Concrete Beauty causes a fundaceptual pleasure without a name yet.

The recognition that one is–interestingly, I must now put it to get closer to my idea of this–in verosophical coherence (consonant?) with reality (yes, I need a better expression of this) causes perceptifaction.   Its cause, I would now put it, is Verosophical Truth, if interesting enough.

That which seems to one to be (interestingly) right in one’s relationships with others, or oneself, causes anthrofaction.

A reasonably significant personal triumph, in real life or vicariously, causes triumphaction.

An effective artwork must express both abstract and concrete beauty, but can have one or more of the other three.  Wait.  I tentatively think an artwork can be effective without expressing abstract beauty, at least theoretically.  I can’t think of any I’d say have.

An effective work of verosophy must cause perceptifaction but may or may not express abstract beauty, although it usually will.  It will not express concrete beauty (to any significant degree).

Perceptifacton, anthrofaction and triumphaction are not kinds of beauty–although not necessarily inferior to beauty.

Abstract beauty is a secondary aim of both verosophy and art.

Have I gotten anywhere.  I’m not sure–except that what needs amplification is clearer to me now.

.

Entry 607 — More from Spidertangle

Wednesday, December 28th, 2011

Later Vernon Frazer entered the discussion:

Thanks, John. I use “definitions” as a shorthand for conversational or descriptive purposes. As far as trying to work, I avoid the “prescriptions” suggested by definitions because they impose limits on my thinking and interfere with my working at my best. Without the work, nobody would have fodder for all the differing definitions. I’m flashing back to Wittgenstein and trying to define “game.” 

ME: Sorry, Vernon, but I’m (obviously) not a Wittgenstein fan.  Just because a few words are hard to define, at least for someone like Wittgenstein, doesn’t make the eternal struggle to define words (in order fully to understand what they denote) futile. As for the “prescriptiveness” of definitions, they are only prescriptive about how an artist can responsibly label his works, not—if he has a functioning brain—about how he can make them.  I am annoyingly repetitious about stating this, because it seems to me the main misunderstanding artists have about criticism.  (Which is dependent on what artists produce—but that is dependent on what prior artists have produced and, I believe, on what critics have said about it.  A work of art ultimately is not merely what it is by itself, but that and what others have said about it.   –Mr. Cantshuddup

Bobbi Lurie again:

wittgenstein fan or not–

what is this?

is this vispo or not?

http://the-otolith.blogspot.com/2011/10/bobbi-lurie-ludwig-wittgenstein.html

ME: I like your image a lot, Bobbi, but I have to be sarcastic in answering your question: it’s a musical automobile, so a branch of chempo, not of vispo.

Nico was less sarcastic:

I wouldn’t tag it as such, no.

There are these websites you find when doing a search of visual poetry that pertain to photography, wedding shots, naturescapes, etc. They use visual poetry as a descriptive for hallmark type sentiment.

Your drawing of Ludwig is very much reminiscent of egon’s stuff,

ME: Same response here.

which I like quite a bit. It’s not vispo tho. My own filter for such things usually entails the existence of a focus on alphabet. That’s primary to me, but not all on this list. I giggle at your use of
Sophistication. I think we’re still in the process of hammering it down – the ongoing sixty year process. The inability to pluck a satisfying set of terms by now – one that’d satisfy most practitioners just spotlights the fact that this practice is separate to separate people. That means nothing gets answered or gets answered in myriad ways.

ME: At one point I spent some time trying to determine how I thought works concerned with the alphabet should fit into my taxonomy.  I think I concluded that the alphabet is verbal—a peculiar sort of word meaning “these are the letters, in order.”  However, with the works you’re speaking of, Nico, letters are the subject, not the alphabet, so for me they are textual designage.

NICO: Anyway, I did apologize for bringing this up.

ME: As opposed to leaving Spidertangle as a no-discussion zone?

Bobbi replied:

Thank you, Nico. 

As I wrote to David, I really needed this description.

Yes. Sophistication meaning “I don’t know what these people are talking about. What is the secret?”

The fact that you’ve been struggling with terms….may I suggest you just say: “the alphabet must be included–this is in relationship to written language–the representation of something via language vs. via image” (clumsy this, i know, but that would have helped me in the several year search i’ve been on, asking vispo artists this question)

ME: Too bad you somehow missed me, your fellow Bobbi/Bobby, Bobbi.  I’ve been cranking out the dogma that poetry has to have significant words for years, and that it’s silly to consider “visual poetry” not to be a form of poetry. Very few in the visiotextual field (but probably everyone in conventional poetry) agree with me, even though I have a fairly broad idea of what “words” are—I accept word-fragments, punctuation marks, any typographical symbol (like @), mathematical symbols and even the alphabet or some section of it long enough to identify it as an alphabet, as “words”—and don’t dispute that at the border between the verbal and the visual there are activities going on of value that may also qualify as visual poetry (since no definition can have a sharp border—unless it’s of something not in the real world like odd numbers).  Seems to me an art should be defined first of all by what materials it explicitly uses in general (words or visual images, say), then by how it uses them, again in general (by pronouncing them or recording their sound, in one case; in the other, by recording their shape and color); a sub-art, like visual poetry, should be defined by what specific materials it uses and how, specifically, it uses them—words and visual images together by recording their sound, shapes and color.  And so forth, finally to capture even the subbest of arts like Shakespearean sonnets or visiopoetic maple solitextual (i.e., solely textual) sculptures . . . 

BOBBI to Nico: please do not apologize. i am so happy to read this–i didn’t know if i could legitimately send my art work to anyone other than Mark Young of Otoliths, who is tolerant with my experiments / does not define his journal in terms of vispo, unlike others here.

i will have to check closely on this, but from your definition, i’d say a lot of editors are letting a lot of things pass for vispo which isn’t vispo.

thank you, Nico.

ME: We need editors like Mark Young who publish art they like regardless of what it is, but it’d be nice if they could let what they want be known in precise language.  Almost everyone in the otherstream publishes anything.  Anyone who wants material of a specific kind has to carefully say so because “visual poetry” tends to mean anything.  Not just works that are visual but not verbal, but works that are verbal and not visual.  My press doesn’t get submissions anymore, but when it did, people would send me poetry about sunsets—hey, sunsets are visual!—and complain when I rejected it as not visual poetry, which my press was primarily looking to publish.

David Baratier was next up:

People who solely practice visual art or vispo
are verbose and vague
either due to lack of words in their art
or to leave open a potential name shift
to make themselves popular again.

Miro was before vispo, so he is a precursor.

From outside the gates it looks like the best known vizpoets
call themselves artists because vispo is an unknown term to them, or
a fringe term (as Karl pointed out, coming into being as an antithesis
to the concrete poetry movement rather than an art term). Vispo
also has movement qualities rather than just a name.
Ruscha, Jenny Holtzer, Robert Indiana and so on are artists.
.
ME: Ruscha, Holzer and Indiana are all, in some of their works, visual poets, regardless of how they see themselves.  I haven’t seen anything by Miro that seems a visual poem to me, but a few paintings by Klee seem close to being visual poems.  Stuart Davis made some, and so did Magritte.  Picasso may have, too.  I’ve shown these at my blog where I’ve also shown images from ARTnews,, which has something I consider a visual poem in almost every issue.  Visual artists added typography naturally to their subject matter just as they added everything else previous visual artists disregarded, and the world was already set up to accommodate their work as visual art in galleries and museums, so they had no need to call it anything special.  Poets becoming visual did, because their visual poetry was much more radical (because generally a good deal more verbal) than that of artists like Ruscha—and the venues for conventional poetry had, and are still having, trouble with it. 

VERNON: I think the discussions—and Wittgenstein’s increased presence in them in more than one capacity—demonstrate what I was trying to get at. Nobody agrees on what vispo is, even when they look at the same work. If you worry too much about the definition, you won’t concentrate properly on what you’re doing. Some people say I’m a visual poet, some say I’m not. And I’m certainly not one all the time. But I might be one some of the time, depending on who’s forming the opinion.  What I gather from today’s debate about definitions is: do the work and let the definitions fall where they may. 

ME:  As I’ve already said, poets shouldn’t care.  For critics or people trying to work out a reasonable poetics, it’s a different story.  Unfortunately, too many in these two cultures see those in the one they aren’t in as enemies or fools.

No doubt there will be more. 

Diary Entry

Tuesday, 27 December 2011, 5 P.M.  I only played tennis for about an hour this morning, but got tired.  Went to Mcdonald’s for a sausage and egg sandwich.  Got a little marketing done at the Winn Dixie near the McDonald’s, then got a nap of maybe fifteen minutes in.  After that, I spent a lot of time in the Internet discussion I made the subject of the day’s blog entry, which I just made the last corrections to, at least for now.  I guess I contributed over a thousand words to it, some of them insightful and/or interesting.   So I can’t consider myself totally out of it.  I feel the discussion itself will interest, or should interest, scholars later in the century, if only for what it reveals of one group of creative artists yakking with/at each other.  I’ve done no Work of Consequence, though.  I am now going to work up a hand-out for my exhibition, then probably take the rest of the day off.

.

Entry 485 — Another Politically-Incorrect Thought

Monday, August 22nd, 2011

 

It seems to me the word, “marriage,” should be reserved to describe better things than a man and a mirror.

(Note: a world without homosexuals would be a hundred times less worth living in than the present one.)

 

Entry 361 — Attitudes toward the Language

Friday, January 28th, 2011

The imbecile wants words to be meaningless so that everyone else will be as incapable of achieving understanding as he is.

The philogusher (lover of gush) wants words to mean just about anything so he can babble away to his heart’s content on any subject without worrying that others will try to get him to make sense.

The propagandist wants words to be ill-defined, if defined at all, so he can more readily use them to persuade people to do his bidding, by campaigning for political office in part by advocating support for “freedom of speech,” for instance, but meaning “freedom to say what is permitted.”

The aesthlinguist wants words to be defined by the masses because of his love for the beautifully polysemic confusion engendered by the language which the passive surrender of the definitional process to those least capable of making it an effective aid in the search for large understandings results in.

The verosopher wants words to be defined with maximal-accuracy (recognizing that they can’t be defined perfectly) so as to facilitate the  discovery and communication of increasingly valid understandings of existence.

Four kinds of nullinguists, one kind of verosolinguist.

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Entry 1745 — Denial

Saturday, March 7th, 2015

An “argument” far too often used in debates between the impassioned (I among them) is the assertion that one’s opponent is in denial.  “Denial,” I suddenly am aware, belongs on my list of words killed by nullinguists.  It has come to mean opposition to something it is impossible rationally to oppose.  When used in what I’ll a “sweeper epithet” (for want of knowing what the common term for it is, and I’m sure there is one) like “Holocaust-Denial” (a name given to some group of people believing in something), it has become a synonym for opposition to something it is impossible rationally to oppose–or morally to express opposition to!  Thus, when I describe those who reject Shakespeare as the author of the works attributed to him as “Shakespeare-Deniers,” I am (insanely) taken to mean that those I’m describing are evil as well as necessarily wrong.  Now, I do think them wrong, and even think they are mostly authoritarians, albeit benign ones, but I use the term to mean, simply, “those who deny that Shakespeare was Shakespeare.”

Or I would if not having the grain of fellow-feeling that I have, and therefore recognizing that small compromises with my love of maximally-accurate use of words due to the feelings of those not as able to become disinterested as I am may sometimes be wise.   Hence, I nearly always call Shakespeare-Deniers the term they seem to prefer: “Anti-Stratfordians.”  But I have now taken to call those that Anti-Stratfordians call “Stratfordians,” “Shakespeare-Affirmers.

(Note: now I have to add “disinterested” to be list of killed words, for I just checked the Internet to be sure it was the word I wanted here, and found that the Merriam Webster dictionary online did have that definition for it, but second to its definition as “uninterested!”  Completely disgusting.  Although, for all I know, my definition for it may be later than the stupid one; if so, it just means to me that it was improved, and I’m not against changing the language if the improvement is clearly for the better as here–since “disinterested” as “not interested” doesn’t do the job any better than “uninterested,” and can be used for something else that needs a word like it, and will work in that usage more sharply without contamination by vestiges of a second, inferior meaning.)

Of course, to get back to the word my main topic, “denial,” means the act of denial, and indicates only opposition, not anything about the intellectual validity or moral correctness of it.  Except in the pre-science of psychology where it means, “An unconscious defense mechanism characterized by refusal to acknowledge painful realities, thoughts, or feelings.”  I accept such a mechanism, but would prefer a better term be used for it.  For me it is a probably invariable component of a rigidniplex.  Hey, I already have a name for it: “uncontradictability.”

No, not quite.  It seems to me it is a mechanism automatically called into action against certain kinds of contradiction: facts that contradict the core-axiom of a rigidniplex, directly or, more likely, eventually.  Maybe “rigdenial,” (RIHJ deh ny ul)?   For now, at any rate.  Meaning; rigidnikal denial of something (usually a fact or the validity of an argument) due entirely to its threatening, or being perceived as a threat to) one’s rigidniplex, not its validity (although it could be true!).

When I began this entry, I planned just to list some of the kinds of what I’m now calling “rigdenial” there are, preparatory to (much later, and somewhere else) describing how it works according to knowlecular psychology.  I seem to have gotten carried away, and not due to one of the opium or caffeine pills I sometimes take.  I’ve gotten to my list now, though.  It is inspired by my bounce&flump with Paul Crowley, who sometimes seems nothing but a rigdenier.

Kinds of Rigdenial

1. The denied matter is a lie.

2. The denied matter is the result of the brainwashing the person attacking the rigidnik with it was exposed to in his home or school

3. The denied matter is insincere–that is, the person attacking the rigidnik with it is only pretending to believe it because the cultural establishment he is a part of would take his job away from him, or do something dire to him like call him names, if he revealed his true beliefs.

4. The denied matter lacks evidentiary support (and will, no matter how many attempts are made to demonstrate such support: e.g., Shakespeare’s name is on a title-page? Not good enough, his place of residence or birth must be there, too.  If it were, then some evidence that that person who put it there actually knew Shakespeare personally is required.  If evidence of that were available, then court documents verifying it signed by a certain number of witnesses would be required.  Eventually evidence that it could not all be part of some incredible conspiracy may be required.

5. The denied matter has been provided by people with a vested interest in the rigidnik’s beliefs being invalidated.

6. The denied matter is obvious lunacy, like a belief in Santa Claus.

7. The rigidnik has already disproved the denied matter.

8. The person advancing the denied matter lacks the qualifications to do so.

9. The rigidnik, as an authority in the relevant field finds the denied matter irrelevant.

10. The rigidnik interprets the meaning of the words in a denied text in such a way as to reverse their apparent meaning.  (a form of wishlexia, or taking a text to mean what you want it to rather than which it says)

11. One form of rignial (as I now want to call it) is simple change-of-subject, or evasion.

12. Others.

I got tired.  Some of the above are repetitious, some don’t belong, others have other defects.  Almost all of them are also examples of illogic.  But the list is just a start.  I’ll add more items to it when next facing Paul–who has a long rejoinder to the post I just had here.

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Entry 1745 — Denial

Saturday, March 7th, 2015

An “argument” far too often used in debates between the impassioned (I among them) is the assertion that one’s opponent is in denial.  “Denial,” I suddenly am aware, belongs on my list of words killed by nullinguists.  It has come to mean opposition to something it is impossible rationally to oppose.  When used in what I’ll a “sweeper epithet” (for want of knowing what the common term for it is, and I’m sure there is one) like “Holocaust-Denial” (a name given to some group of people believing in something), it has become a synonym for opposition to something it is impossible rationally to oppose–or morally to express opposition to!  Thus, when I describe those who reject Shakespeare as the author of the works attributed to him as “Shakespeare-Deniers,” I am (insanely) taken to mean that those I’m describing are evil as well as necessarily wrong.  Now, I do think them wrong, and even think they are mostly authoritarians, albeit benign ones, but I use the term to mean, simply, “those who deny that Shakespeare was Shakespeare.”

Or I would if not having the grain of fellow-feeling that I have, and therefore recognizing that small compromises with my love of maximally-accurate use of words due to the feelings of those not as able to become disinterested as I am may sometimes be wise.   Hence, I nearly always call Shakespeare-Deniers the term they seem to prefer: “Anti-Stratfordians.”  But I have now taken to call those that Anti-Stratfordians call “Stratfordians,” “Shakespeare-Affirmers.

(Note: now I have to add “disinterested” to be list of killed words, for I just checked the Internet to be sure it was the word I wanted here, and found that the Merriam Webster dictionary online did have that definition for it, but second to its definition as “uninterested!”  Completely disgusting.  Although, for all I know, my definition for it may be later than the stupid one; if so, it just means to me that it was improved, and I’m not against changing the language if the improvement is clearly for the better as here–since “disinterested” as “not interested” doesn’t do the job any better than “uninterested,” and can be used for something else that needs a word like it, and will work in that usage more sharply without contamination by vestiges of a second, inferior meaning.)

Of course, to get back to the word my main topic, “denial,” means the act of denial, and indicates only opposition, not anything about the intellectual validity or moral correctness of it.  Except in the pre-science of psychology where it means, “An unconscious defense mechanism characterized by refusal to acknowledge painful realities, thoughts, or feelings.”  I accept such a mechanism, but would prefer a better term be used for it.  For me it is a probably invariable component of a rigidniplex.  Hey, I already have a name for it: “uncontradictability.”

No, not quite.  It seems to me it is a mechanism automatically called into action against certain kinds of contradiction: facts that contradict the core-axiom of a rigidniplex, directly or, more likely, eventually.  Maybe “rigdenial,” (RIHJ deh ny ul)?   For now, at any rate.  Meaning; rigidnikal denial of something (usually a fact or the validity of an argument) due entirely to its threatening, or being perceived as a threat to) one’s rigidniplex, not its validity (although it could be true!).

When I began this entry, I planned just to list some of the kinds of what I’m now calling “rigdenial” there are, preparatory to (much later, and somewhere else) describing how it works according to knowlecular psychology.  I seem to have gotten carried away, and not due to one of the opium or caffeine pills I sometimes take.  I’ve gotten to my list now, though.  It is inspired by my bounce&flump with Paul Crowley, who sometimes seems nothing but a rigdenier.

Kinds of Rigdenial

1. The denied matter is a lie.

2. The denied matter is the result of the brainwashing the person attacking the rigidnik with it was exposed to in his home or school

3. The denied matter is insincere–that is, the person attacking the rigidnik with it is only pretending to believe it because the cultural establishment he is a part of would take his job away from him, or do something dire to him like call him names, if he revealed his true beliefs.

4. The denied matter lacks evidentiary support (and will, no matter how many attempts are made to demonstrate such support: e.g., Shakespeare’s name is on a title-page? Not good enough, his place of residence or birth must be there, too.  If it were, then some evidence that that person who put it there actually knew Shakespeare personally is required.  If evidence of that were available, then court documents verifying it signed by a certain number of witnesses would be required.  Eventually evidence that it could not all be part of some incredible conspiracy may be required.

5. The denied matter has been provided by people with a vested interest in the rigidnik’s beliefs being invalidated.

6. The denied matter is obvious lunacy, like a belief in Santa Claus.

7. The rigidnik has already disproved the denied matter.

8. The person advancing the denied matter lacks the qualifications to do so.

9. The rigidnik, as an authority in the relevant field finds the denied matter irrelevant.

10. The rigidnik interprets the meaning of the words in a denied text in such a way as to reverse their apparent meaning.  (a form of wishlexia, or taking a text to mean what you want it to rather than which it says)

11. One form of rignial (as I now want to call it) is simple change-of-subject, or evasion.

12. Others.

I got tired.  Some of the above are repetitious, some don’t belong, others have other defects.  Almost all of them are also examples of illogic.  But the list is just a start.  I’ll add more items to it when next facing Paul–who has a long rejoinder to the post I just had here.

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Entry 1744 — An Organization for Culturateurs

Friday, March 6th, 2015

First something from a comment I made yesterday at HLAS when some wack brought up the quotation from Emerson cranks and others who can’t argue well love:

Emerson is a hero of mine, and I love “A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines.” But “With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall,” is insanely stupid–the way the writings of Foucault and the other French literary critics whose idiocy has dominated academic literary criticism in the US for so long are.  Perfect consistency is probably not possible, but maximal consistency–ULTIMATELY–is what all the largest minds try their best to end in, even Emerson, even if he might not have been aware of it in his need to be allowed to say anything he wanted to purely on the basis of how much he liked it rather than on the basis of how much reality it reflected.

“With consistency a philogusher (lover of gush) has simply nothing to do. He may as well concern himself with his shadow on the wall.”  Grumman, 5 March 2015

Better the shadow of himself he sees on the wall than one of himself that he sees on the side of a hairy green & purple unicorn eating marmalade in a thunderstorm on the moon.

–Bob G.  Hmm, I realize decades too late that I should have been signing myself “Bobb” rather than just “Bob.”

As for the “organization for culturateurs, it’s “The Academy of American Culturateurs.”  It does not yet exist, nor is it likely it ever will, at least not as anything more than an organization with just one member, ME.  I like the idea of it.  Its members would consist of all the culturateurs in America.  My definition of culturateur being “a person who makes a meaningful contribution to the culture of his time, that being either the arts, verosophy or technology,” and my definition of “meaningful” being at the level of Beethoven’s or Wagner’s to music, or Cummings’s to poetry (i.e., not the equivalent of simply composing great music or poetry but of also contributing something importantly new to one’s field),” its membership would not be large.  It would, of course, exclude anyone who had ever been rewarded in any significant way for his accomplishments by any of the country’s cultural establishments–a Pulitzer, say, or MacArthur grant.  Even a Guggenheim fellowship.  Okay, maybe this would keep one or two deserving culturateurs out whom some establishment had accidentally recognized as a mediocrity but the rule would be right too often not to use it.

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Entry 1739 — In the Eurekan Zone

Sunday, March 1st, 2015

I often write here about being in my null zone, or almost in it.  I guess I’ve mentioned a few times I’ve been in a good zone.  I rarely mention being in a good zone, though: I’m too involved with more important things to.  When I’m in my null-zone, though, I tend not to have anything else to write about.  Anyway, a few minutes ago, I was getting all kinds of ideas.  I was feeling energetic and enthusiastic.  It was like I felt for about an hour while writing about the rigidniplex.  Ergo, I should call where I was the “eurekan zone.”

I was not in it for long, not wholly in it for long.  I feel mentally in it at the moment, but physically in the null zone, and in a so-so mood.  My mood may be good enough to allow me to take care of the entry–if I can remember any of the ideas I had.

One was simply my counter to something I read in the latest issue of The New Criterion about how foolish so many thinkers were for believing that “a hard science of human affairs has been or soon will be achieved.”  I think a poor hard science of human affairs has been achieved, and that neurophysiological understandings will eventually make it equal as a science to chemistry in hardness, especially once academics are aware of my theory ( . . . I hope).

Gary Saul Morson, the writer whose words I quoted against the notion of hard science because if political science were a hard science, there would be no room for reasonable doubt for the same reason there is no room for reasonable doubt about most aspects of chemistry.  I find this no problem because (1) however hard a science is, it will never be complete, so there will always be important differences of opinion.

ns about aspects of it;  and (2) the axioms chosen to base a given hard science on will necessarily be a subjective matter, so squabbling at the roots of political science will always occur.

It may be exclusively the moral axioms of physical science that people will argue about, as they do now: for instance, which is better, a collectivist society or an individualistic one?  Answer: it would depend on whom you ask.  Security versus freedom.  The first is better for certain people, the second better for others.  Which is why our nation and others mix the two.  But how much of either is the right mix will always be debatable.

* * *

I’m definitely out of my eurekan zone.  While briefly in it, I coined a few new terms, as I tend to do when I feel at my best.  One was “conclusory,” which consists of verosophical conclusions and the actions taken because of them.  I was thinking about the many people involved in the sciences who are not seeking important understandings of anything but using the conclusions such understandings lead to as the basis of technological accomplishments.  But that would mean they are working in technology, so “conclusory” is not needed.

“Techthetics” was my word for the equivalent field in Art.  It would be for the technological use of art for decoration.  I was trying to differentiation those artists who advance their art from mere “techthetists” who just use received art to make salable paintings that go nowhere man has not been before.  But the umbrella term “technology” covers such people as readily as it covers those whose field is applied science.  So, good-bye “techthetics.”

* * *

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Entry 1731 — Some of My Internetting Today

Saturday, February 21st, 2015

I stole the following from my friend Lynne Kositsky’s Facebook page:

KafkaSaying

I was there on Shakespeare-Authorship-Question (SAQ) business.  Here’s what I wrote:

Hey, I see you’re at “Self-Employed,” Lynne. I used to be there, to, but am now at “Self-Fired.” The reason I came here, though (nice site, by the way), is to ask what I hope you won’t consider an impertinent authorship question: would you agree with me that Kevin Orlin Johnson is detrimental to Oxfordianism and that his being almost unanimously agreed with (and praised!) by his fellow Oxfordians could cost Oxfordianism credibility with anyone neutral who happened to see the thread his post is in? Some Oxfordian should gently help him toward a bit more reasonability, it seems to me.

(In case you forgetted, I am on record as accepting that there IS evidence for Oxford as the True Author: for instance, his being named a playwright. Many, perhaps most, of my authorship colleagues would not count this as evidence, but it puts him in a fairly small group of people known to be able to write the kind of thing the True Author did, if not necessarily as well as he did [and I, again unlike my colleagues, am unwilling to say Oxford’s known writings indicate he could not have been the True Author, because we do not yet, in my view, have an objective way to indicate that].

I believe in a hierarchy of evidence (for demonstrating that a given person did X) that begins with data that makes him one of, say, ten thousand who are the only ones in the world who could have done X, and goes up to data that makes the person one in one who could have. But that does not end the matter. I believe that data that makes the person one among only one who could have done X should then be arranged in a hierarchy going from anecdotal data, say, through impersonal data on up to the testimony of ten thousand or more witnesses who personally know the given person, and say they personally saw him do X. Or the like. This part of my analysis of kinds of evidence gets complicated.

I think too few on either side of the SAQ think very deeply about what evidence is and isn’t. I feel I still have quite a way to go before I can consider myself on top of the subject.

There, lucky you: a whole bunch of words from me, none of them insulting (I hope).

all best, Bob

At her timeline it says she’s an “award-winning at Self-Employed,” hence my liddle joke.  at the beginning of the above.  Here’s the text by Kevin Orlin Johnson I was referring to in my post to Lynne:

You know, we really just need to leave the Stratfordians to themselves. They’re the fringe, they’re the irrational, they’re the ones who will never, ever accept evidence, no matter what.

When we’re dealing with people who keep saying things like, “Most crucially, Shakespeare absolutely was recognized as an author during his lifetime. About half of Shakespeare’s plays were printed during his lifetime. Many of those list his name as author on the title page,” we have to recognize that we’re dealing with people who simply cannot get it.

It may be natural density, it may be some unfortunate emotional or psychological disorder, but that argument–central to their position–automatically disqualifies them from rational discourse and confirms that they’re never going to be able to understand the question, much less the answer.

Let them say what they will, let them print what they will. Let’s channel our time and other resources toward producing positive research proving that Oxford is the author. That shouldn’t be so difficult. And with a body of sound work on the record things will set themselves right when this generation of Stratfordians passes away.

Here’s my critique of the above, which I wrote because I like to do the kind of analysis it requires:

Kevin Orville Right.  I mean, Kevin Orlen Johnson: You know, we really just need to leave the Stratfordians to themselves. They’re the fringe, they’re the irrational, they’re the ones who will never, ever accept evidence, no matter what.

Me: 1. If they are the fringe, why are there so many of them?

2. Define “evidence.”  Can you really believe ALL Stratfordians are PERMANENTLY incapable of accepting evidence?  I won’t suggest you mean what you say, which is that they won’t accept any kind of evidence, for I’m willing to allow that you meant SAQ evidence.Johnson: When we’re dealing with people who keep saying things like, “Most crucially, Shakespeare absolutely was recognized as an author during his lifetime.”

Me: Few of us say that.  We say things like, “Shakespeare was recognized by many during his life as an author.Johnson: “About half of Shakespeare’s plays were printed during his lifetime. Many of those list his name as author on the title page,” we have to recognize that we’re dealing with people who simply cannot get it.

Me: You really don’t accept the names on title-pages as evidence for Shakespeare?  It’s not proof of that, but it has to be considered good evidence of it, particularly when there is no explicit evidence from the time that the title-pages were fraudulent or mistaken. And we advance many other arguments that you are ignoring here that are supported by explicit evidence–his actual picture in the First Folio, for instance–which Ben Jonson’s words authenticate.  Sure, it’s possible he was lying, but where is the explicit evidence that he was?  That is, do you have a letter of his in which he says that he feels ashamed of his lies about Shakespeare, but realized the importance of keeping anyone from finding out . . . the Truth.

Johnson: It may be natural density, it may be some unfortunate emotional or psychological disorder, but that argument–central to their position–

Me: No, it isn’t–at least for me.  At the center of my argument is Leonard Digges’s poem in the First Folio because (1) circumstantial evidence makes it hard to believe Digges did not personally know Shakespeare; (2) he calls him “the deceased Author Maister W. Shakespeare,” thus both naming him and indicating his status as a gentleman; (3) he mentions his tomb in Stratford, which names him, gives dates of his birth and death which church records confirm and speaks of “all he hath writ” and says he had the art of Virgil; (4) all this in a book with Shakespeare’s picture in it and the testimony of three men known to have been friends of his that he had written the plays in the book.  I suppose someone could fail to accept this as demonstrating that Shakespeare was the author of the plays in the First folio and not have “some unfortunate emotional or psychological disorder,” but to refuse to accept it as evidence of that is absolute proof of that.

Johnson: automatically disqualifies them from rational discourse and confirms that they’re never going to be able to understand the question, much less the answer.

Me: What in the world is the question if not, “Who wrote the works attributed to William Shakespeare?”  How can anyone not understand your answer, “The 17th Earl of Oxford,” however hard to understand why it is the answer?

Johnson: Let them say what they will, let them print what they will. Let’s channel our time and other resources toward producing positive research proving that Oxford is the author. That shouldn’t be so difficult. And with a body of sound work on the record things will set themselves right when this generation of Stratfordians passes away.

Me: Considering that your side has had more than 150 years since Delia Bacon wrote the first serious attempt to show that Shakespeare did not write the works attributed to him, and almost a century since John Looney advanced the theory you all now believe in that Oxford wrote those works, why do you need more time.

I’m also curious to know if you really believe no one of your generation is a Stratfordian (which I take to be people born around 1990).

One person responding to what Tom Reedy said about Johnson’s post (which was what made me take a look at it) thought something call the “Dunning/Kruger Effect”, explained it.  Here’s what an entry in Wikipedia said about it:

Dunning and Kruger proposed that, for a given skill, incompetent people will:

fail to recognize their own lack of skill
fail to recognize genuine skill in others
fail to recognize the extremity of their inadequacy

The phenomenon was first tested in a series of experiments published in 1999 by David Dunning and Justin Kruger of the Department of Psychology, Cornell University. The study was inspired by the case of McArthur Wheeler, a man who robbed two banks after covering his face with lemon juice in the mistaken belief that, because lemon juice is usable as invisible ink, it would prevent his face from being recorded on closed-circuit-television surveillance cameras.

They noted that earlier studies suggested that ignorance of standards of performance lies behind a great deal of incorrect self-assessments of competence. This pattern was seen in studies of skills as diverse as reading comprehension, operating a motor vehicle, and playing chess or tennis.

I quote it because amusing.  It is also valid but not illuminating.  For it to be that, it would have to explain the effect, not just describe it (although it has been extended by others to suggest that the incompetent have many incompetences, one being a poor sense of humor.

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Entry 1728 — Abobble in Mine Mind Mine Again

Wednesday, February 18th, 2015

Should the names of those contributing to a political campaign, or anything else, be prevented by law from being anonymous?  I say no, because (1) you should not have the freedom to know things about me I don’t want you to know; you should still be allowed to find out all you can about me that you want to so long as you break not laws; but I should be protected from your investigation by, for example, a political committee I send money to if they are willing to keep my name private, and they should be allowed to do that if they want to; (2) only morons evaluate a cause by who is for, who against it.

While on the subject, I also believe a person should be able to invest as much money, or the equivalent (like labor or pennants) in anything he wants to, anonymously and without anything about his investment being revealed–which means that the people running whatever he is investing in should have the right to keep all facts about their operation private–except, I suppose, to the IRS, in a country unfree enough to tax.  To me, it’s simply a matter of allowing a person to use his property, which includes his money, any uncriminal way he wants to.

* * *

What if you and nine other people your age all died, and found out you’d be given new lives but would forget the life you’d just lived.  The ten of you were then asked to choose which of the two situations would apply to all of you: everyone would be win a permanent income of fifty-thousand dollars,or the equivalent in today’s dollars, or nine of you would be given a permanent income of forty-thousand dollars a year and one, chosen randomly would be given a permanent income of one-hundred-forty-thousand dollars a year.  Which would you choose?

Assuming the others were more or less like you in background, which do you think the others would vote for?

I’d instantly choose the 40/140 set-up.  For me the difference between forty and fifty thousand wouldn’t be much, but between fifty and a hundred-and-forty tremendous.  I frankly don’t think the higher amount would make the others’ lives as much better as it would make mine.  They’d be like Bill Gates, hardly doing anything of value with their wealth.  By my standards.

Redistributing money by contributing to charities as Gates seems mostly to do doesn’t do any more than redistributing the money by buying neat things for oneself, as I would do with my wealth; the difference between me and most others winning the extra income would be what I believe I could do with it versus what they would: like setting up think tanks to investigate questions like the neurophysiological basis of learning, or work out a taxonomy of poetry, or any other of a number of things–after supplying me with the computers and peripherals to allow me to do all I think I could do as a poet.  As opposed to new cars and vacation trips, etc.

Maybe a more interesting choice would be between $50,000 a year for everyone, and $20,000 a year for nine and $320,000 thousand a year for one.  I think many more would vote for the 40/140 than for the 20/320.  Twenty-thousand would be fine with me.

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Entry 1726 — A Brief Scatter of Thoughts

Monday, February 16th, 2015

I can’t understand how anyone can be considered to have been born with any rights.  Each of us is born with might, which–if effective (the way most babies’ crying is)–will convert to various rights . . . and unrights.

It may make more sense to believe each of us is born with conveyable rights–that is, we have no rights of our own, but can grant rights to others.  This is a deep thought.  Urp.

“Nuptuage,” (NOOP shoo ehdj): my very tentative new replacement for the word, “marriage,” now that the nullinguists have succeeded in killing it for any useful purpose.

In the latest issue of The New York Review Michael Walzer reviews two books on group-decisions.  In his piece, he writes, “I am reminded of a passage in the Babylonian Talmud (tractate Sanhedrin)that holds that if, in a capital case, all the judges vote to convict, the defendant is acquitted.  The absence of dissent means that there wasn’t an adequate deliberation.”  I at once thought, “Yes!”  My head quickly cleared when I realized that the judges could assign one of them always to dissent.  I also remembered that a valid verdict can be quickly reached in more than a few cases.

Shouldn’t the judges logic require the execution of a defendant they all vote to acquit?

The books Walzer discusses are to a great extent about how to improve group-decisions.  They seemed vacuous to me.  But I am biased against groups.  For me, the best way to improve a group is to reduce its membership to a single person.  If you want mush decisions, ones that are hard to disagree with but don’t accomplish anything much, increase a group’s membership, and include a lot of women.  They will use their socioceptual abilities to neutralize male logic.  Of course, one-person groups will also make the worst decisions.

Moreover, groups actually make all the decisions.  It’s just formal groups that are bad.  In fact, in my view, the best decision-makers are those who are in the most groups (externally)–and in the most varied groups.
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Entry 1703 — A Question and Some Other Stuff

Saturday, January 24th, 2015

Has there ever been a quarrel between two people in which one of them was entirely in the right?

* * *

A math poem that is resisting effectiveness (so far!): the sun times wonder, rhyming stairs up to a blazing need to be heroed over equals Zeus. Ah, I will replace the word, “sun,” with color. And “wonder” with “wUnder?”

* * *

Now for a news story I read a little while ago that is most certainly worth a rant. Actually, now that I think of it, I’ve recently read two stories–no, three(!) that are worth rants.

One I read over a week ago.  It was about the local schools’ recent decision to increase the school day by fifteen minutes.  Since I believe the school day should be reduced to zero minutes, except for the parents who want it forced on their unfortunate children, because such parents are unlikely to have children bright enough to be made too miserable by it, I am opposed to this.  On the other hand, I’d not be so against it if those running the show would dare let some random number of kids have a school day shortened by fifteen minutes, with a comparison made between how much they learned and how much the others kids learned at the end of a full years of shortened and lengthened school days.  If there were an intelligent way of measuring how much each kid learned (as opposed to how much each kinds’ ability to do well on tests about moronically small portion of the significant kinds of knowledge their are), I would bet actually money that the kids with the short days would score pretty much the same as the kids with the long days, bit be a lot more happy (or less unhappy) about their time in school.

Note: yes, I’m biased: I have more than once asked myself if there was one day when I was going to school (k-12, I mean) that I looked forward to an upcoming school day.  Of course, my old memory isn’t too accurate, so it may be wrong that there were none whatever.  But there could not possibly have been more than a few.  Oh, actually, I did look forward to all the last days of the school years, and the ones before Christmas and spring breaks.

Note #2: I believe educators, not just locally but throughout the United States, have no idea whatever as to how to determine how much learning the victims of formal education get directly from what they are taught in school.  Otherwise, an interesting research project for sociologists would be to interview a large number of different adults and carry out background checks on them in depth with the goal of determining how much what they genuinely learned from school they used in their vocations.

Needless to say, such a project is ridiculously unfeasible.  It also has the disadvantage of lacking enough adults with little or no formal education to compare with the ones with it.  I claim that, except for those vocations making it against the law for anyone lacking the right formal schooling to practice it, those without the formal education our laws require would be found to be as effective at their vocation as those with  it.

A bit of real-life support for this is the number of persons practicing medicine who don’t get caught because of incompetence but because someone disliking them checks up on where they said they got their degrees from and finds out they never went to college.

Before considering me entirely crazy, remember that I am speaking of formal education.  In order to be effective at any vocation, a person has to learn a great deal.  I merely contend that most people can do this better by something Americans like Edison and Franklin used to be quite good at: self-education.  That means, among other things, finding the right teachers, and getting a lot of on-the-job training, and–even more–off-the-job osmotic absorption of the knowledge the person learns well because he was looking for it, unconsciously or consciously–looking for it because he believed he would find it wonderful, not because his search for it had been assigned.

 * * *

 I didn’t expect to write so much on the first of the stories I read.  The other two, like the first, had to do with the rapidly expanding power of rigidniks in the world.  One concerns a group of scientists who want to “improve” the spelling English words, the way George Bernard Shaw (among others, I’m sure) wanted to.  The other has to do with a local government’s decision to stop subsidizing a visul art gallery.  I’m against all government subsidies, BUT will argue for this one because, not being a moron, I do not believe that I am compelled never to take advantage of some government law because I am opposed in principle to the law.  Why? Because there is a hierarchy of principles for me, and at the top is the principle of doing what in the circum-stances seems best for me.  In this case, if I were living in a free country whose government wanted to use tax money to subsidize poet, I would be against it.  If the government succeeded in passing a law allowing it to subsidize poets and I were offered a subsidy, I would accept it, because I would no longer be living in a free country, and getting money would seem best to me in those circumstances.

A better argument, I now see, is that my principle would actually be of being for government which would not subsidize anything except the few things I believe a government is justified in subsidizing such as a military establishment (and, perhaps, regulation to curb a very few economic practices who probable short term effect would occur too quickly for the sluggish correction of the market to take effect such as pollution of the environment and over-population because of the limited long-term intelligence of the masses, and many who are superior to the masses but unable to say no to a quick profit).  I do not see that my second principle of being also, given a government that grants subsidies, for such a government’s giving subsidies to artists of any kind.  

Another example: I was against the draft, which was in effect when I was a young man, but when (in effect) drafted, I served in the military.  My principle of avoiding hassle or possible imprisonment, trumped my principle of opposition to the draft.

I am in favor of the death penalty for murderers.  Nevertheless, if the government passed a law requiring murderers free room and board in prisons instead of execution, and I murdered someone and were caught, I would not beg to be executed.

If the government decreed that a bridge be built over a river a mile away from a bridge already crossing the river, and I had voted against the construction of the second bridge, I would use it rather than the first bridge when it seemed more convenient to do so.  And so forth.

I’m not sure I made my case that well.  It’s a difficult one to make although I am completely sure I’m right.  I would be extremely grateful to anyone who pointed out in a comment where I went wrong, if I did.  I’ll even promise not to call him a moron.

I think those for the kind of ersatz consistency I’m against would probably tell me I ought not favor making the school days fifteen-minutes than they now are, I should not be for anything other than reduction in the school day’s length to zero.

* * *

Tomorrow, my response to the rigidnikry of regimented spelling of English words, then one one in favor of the subsidy of the visual art gallery.

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Entry 1698 — Scraps of Possible Brilliance

Tuesday, January 20th, 2015

Scrap #1: while I was idly thinking about my theory of knowlecular psychology’s main flaw, that it is a cluster of invented mechanisms with little known neurophysiological basis, like Freud’s subconscious, id, ego, etc. ,  it occurred to me that the two main ways of doing science, theory-spinning and empiricism, can be thought of as  striving for a maximally-plausible explanation of known events (theory-spinning) versus striving for a maximally-accurate description of unknown events (empiricism).   Wanting to know what in the brain causes a person to remember his fourth-grade teacher versus what results from the activation of a given brain-cell.  Theorizing from result to possible cause versus physically searching from cause to possible result.

Scrap #2: Scrap #1 indicates how long it can take a fairly competent brain to turn what seems to it an idea of more than small interest badly expressed into what seems a trivial idea better expressed, in this case: The two main ways of doing science are theoretical science, which is the full use of the imagination to theorize one’s way from event to possible cause, and empirical science, which is the minimal use of the imagination to physically explore one’s way from event to possible result.

Scrap #3: Scrap # 2 may be a lie . . . no,make that, “unintentionally inaccurate statement.”

Scrap #4 (something about poeticks!): For the past two or three years I’ve been reading a lot of mainstream poetry and reviewing it for Small Press Review.  I have genuinely liked twenty or thirty percent of it, and found almost all the rest of it passable, just not to my taste.  Only a few times has a mainstream poem made me bubble o’er with delight, however.  Why?  Because, however snowflake-unique they are, the differences between them come to seem barely noticeable.

Now I’m talking about a kind of poem that has dominated the mainstream for fifty years or so but which may not be the only kind of mainstream poem, the one often called the Iowa Workshop Poem.

Background Scraps:

The Iowa Writers’ Workshop is a two-year residency program which culminates in the submission of a creative thesis (a novel, a collection of stories, or a book of poetry) and the awarding of a Master of Fine Arts degree.

For more than 75 years emerging writers have come to Iowa City to work on their manuscripts and to exchange ideas about writing and reading with each other and with the faculty. Many of them have gone on to publish award-winning work after graduating. With the spirit of an arts colony and the benefits of the research University of which we are a part, the Writers’ Workshop continues to foster and to celebrate American literature in all its varied forms.  (Note: by “all its varied forms” is clearly meant, poem, novel, play, short story, etc., nothing more specific, like “visual poem,” which it may begin”to foster and celebrate” in another 75 years.)

This program either was the first to grant MFAs in poetry, or central to the academic, then socio-economic success, of them–to the benefit of mediocrities and cost of their superiors in the field.

Scrap #5: Actually, for possibly twenty years, jump-cut poetry under the misleading pseudonym of “language poetry” has been acadominant, which is to say that it has become the most prestigious kind of poetry in academia.  Its practitioners have won more than enough prizes and positions for it to now be considered one of the mainstream poetries.  But it doesn’t get into any of the mainstream publications I’ve been reviewing–well, except for token appearances in Poetry and the like–and is not reviewed by mainstream critics like William Logan (unless you count poets like Jorie Graham and John Ashbery “language poets,” as some do).

Scrap #6: My problem, in any case, is with Iowa Workshop Poetry.  Writing these scraps, I suddenly see that much of it, curiously, is due to my preference for theoretical science to empirical science, for it is almost entirely a kind of empirical poetry, carried out mainly in a poet’s practiceptual awareness, and never, it would seem, in the higher regions of the poet’s magniceptual awareness.  (And just as many more science professionals are empirical workers, not theoretical thinkers–although the most gifted of the former sometimes make just as important discoveries, many more poets are MFA poets, not otherstream–i.e., adventurous–poets.)

The poets I’m speaking of are more than anything else, personal poets telling us about their lives and the real world around them, in easy to understand language.  Personality and point-of-view are important for them, not technique.  Their poetry is basically conversation.  You empathize with them or you don’t, you agree with them or you don’t.  Little else matters.

* * *

I’m sure I had more to say about Iowa Workshop Poetry, but my head has gone blank.  Maybe tomorrow I’ll remember enough of it for an entry.

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Entry 1684 — Billy Graham and Others

Tuesday, January 6th, 2015

I tore what’s below out of a recent issue of my local paper:

AdmiredCelebsThis interests me for what it reveals about the media and polling.  It seems to me the actual question asked of the 38% of the sample who named the top eleven males and the 41% who named the top ten females was, “What did the media convince you to name the man or woman you most admired?”  A study that could test this would determine which names came up most in the media during the past year shown in a favorable light.  It might be broken down into print media and TV.  Perhaps for better analysis, the number of minutes named persons were shown on television . . . no, how many viewer-minutes they were shown for.

A more intelligent question would be, “what living person has most influenced you to do the things you’ve done in your try to be the best you could be?”  That would require one reporting on it for a newspaper to do a bit of work, for I think the answers would not be household names.  (I tried to find out how many who were polled named a friend or relative; I found nothing about the most recent poll, but on the one before that, 9% named a friend or relative; something over 30% [I’ve lost the link] named “others.”  Only 1031 people were polled.  A question just occurred to me: were they asked to think about the question and be ready to say what it was in two weeks or a month?  No.  The poll itself only last two weeks or so.)  Follow-up questions would be required, to get a few pertinent facts about each person’s mentor, or the equivalent–in particular, what it was about him that caused the one naming him to try to emulate him.

A much better question would be, “Who, of all the people you know or know of, living or dead, have you tried to emulate the most–or wished you’d emulated the most?”  “Or will try to emulate in the future?”  I wonder how many living people would be named.  How many people known personally by those naming them.

For me, it would be George Bernard Shaw early on, then (probably) Ezra Pound.  A problem for me is that I don’t think anyone really influenced me: I did what I was predestined to do by my genes, but picked out persons before me whose example encouraged me to not give up (alas).

The influence on me of others’ thought or art is a different story.   Too many to name.  The question would be whom I thought most worth stealing from, not whom I most admired.

Once again I’ve written up something and found I used up all I could say about it way too soon.

Note: while doing a search for information about this poll, I came across a guy calling himself “Pumpkin Person” who seems more politically incorrect than I.  Ethnic IQ is his main subject.  As my readers know, I escape political incorrectness about IQ scores because I don’t think they mean much.

I guess that’s it for today–except to say that to get my word-count over 500 (which it wasn’t when I wrote this line; I later added something above).
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Entry 1671 — Cat from a B. Kliban Calendar

Wednesday, December 24th, 2014

I’m friends with the brother of the late B. Kilban, so each year get a B. Kliban cat calendar from him.  I was putting last year’s calendar away when I thought of using my favorite cat in it here, being in my null zone again.

November2014Cat-BKliban

This is about the best depiction of the painter at work that I’ve ever seen.
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