Suchoon Mo « POETICKS

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Entry 424 — A Non-Haiku

Saturday, April 16th, 2011

Over at Otherstream Unlimited people are posting opinions and other stuff in short texts they are calling “haiku” simply because they consist of three lines, a seven-syllable one in the middle of two five-syllable ones.  There’s a lot more to haiku than that.  So I posted the following to the group:

.                                           haiku seem stupid
.                                           only to those dumb enough
.                                           to think this is one

Suchoon Mo then commented:
.
.                                            ha ha ha ha ha
.                                            ha ha ho ho ha ha ha
.                                            ho ho ha ha ha!

I may get something of consequence done today, but not here.

Humor « POETICKS

Posts Tagged ‘Humor’

Entry 15 — Misto Peas

Monday, November 16th, 2009

One of the “tiny special stories” in Al Ackerman’s recent collection, Misto Peas, is called “The Pendulum of Truth”:

“I put my face in a cat and it coffed up sucked-in hairs.  So that was some of it.  And out on the lawn something was peering through the swami who’d been posing dead so lmany weeks that his body was beginning to develop rips.  The thing peering through the rips was mimicking Jerry’s Drive-in.  A kid pulled in who’d had too much wine and at first from the awful shade of his nearly purple face we thought he was going to throw up on his date.  But then he began to swing back and forth on the gear shift and we saw it was the pendulum of truth.”

Why is this so funny to me, and not to many others?  I think partly because I instantly recognize it as a parody of the thought processes of “normals”– matter-of-factly explaining their religion, for instance, taking it for granted they are making sense, never considering the possibility of alternative explanations–and getting away with it!  We connoisseurs of irrationality can make the connections, sparse and frail though they be, to the surreal and/or emotional sense they make.  It’s nonsense of the highest level, but different from Carroll’s in that its speaker doesn’t realize it, which makes it all the funnier.

Okay, my explanation is lousy.  Just groping for an explanation that works, and confident I can find one.

Ackerman’s book is avaliable from Luna Bisonte Prods, 137 Leland Avenue, Columbus OH 43214.  ISBN 1-892280-78-7.  Price: $9, ppd.

Entry 424 — A Non-Haiku « POETICKS

Entry 424 — A Non-Haiku

Over at Otherstream Unlimited people are posting opinions and other stuff in short texts they are calling “haiku” simply because they consist of three lines, a seven-syllable one in the middle of two five-syllable ones.  There’s a lot more to haiku than that.  So I posted the following to the group:

.                                           haiku seem stupid
.                                           only to those dumb enough
.                                           to think this is one

Suchoon Mo then commented:
.
.                                            ha ha ha ha ha
.                                            ha ha ho ho ha ha ha
.                                            ho ho ha ha ha!

I may get something of consequence done today, but not here.

2 Responses to “Entry 424 — A Non-Haiku”

  1. endwar says:

    It’s obviously not a haiku because there’s no season word. Unless it’s implied when the reader falls for it. ha ha ha ha ha.
    :-)

    – endwar

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Entry 468 — A Lot of Frogs « POETICKS

Entry 468 — A Lot of Frogs

so many frogs/ in one pond/ croaking

Ed Baker

 

 

 

2 Responses to “Entry 468 — A Lot of Frogs”

  1. Ed Baker says:

    old bull-frog
    surrounded by 10,000
    cute frogettes
    simultaneously
    croaking

  2. Bob Grumman says:

    Only 9,999 of the frogettes are cute. Generally I don’t like autobiographical art, but this one took my fancy . . .

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Entry 466 — Basho Makes the Funnies « POETICKS

Entry 466 — Basho Makes the Funnies

I’m surprised Geof hasn’t posted this at his blog already, but since he hasn’t, I’ll post it here:

It’s a desecration, hence hilarious.  It’s also interesting evidence of the apparent popularity of Basho, although I doubt too many who see this strip will understand it.  Although they may still find it amusing.

Meanwhile, I was not feeling too good earlier–tired from running an errand, trying only partly successfully to mow my lawn–because of a malfunctioning mower–and doing my exercises, as well as my usual lack-of-sleep and blahness.  Then I noticed an ad I’ve seen before for a poetry contest with a first prize of $5000 in the latest issue of Poetry, which I have a review copy of.  I had been disgusted with a poem by David Ferry, winner of the $100,000 Ruth Lilly Poetry prize given by the foundation running Poetry, and featured in this issue of the magazine.  Result, I suddenly had a yen to enter the poetry contest–with a poem that could be paraphrased as “mathematics divided into poetry equals genius with a remainder of angrily befuddled Philistines accidentally exposed.”

That only made me briefly happy.  What boosted me into a much more durable happiness was my then knocking out good drafts of four new long division poems, three of which I doubt I’ll change but which will need visimages, which will probably be abstract-expressionist.  The fourth one won’t need much more, I don’t think.  One of the others still voices my hostility toward the morons who will probably be judging this contest with a comparison of superior poetry to “locations miles away from anywhere any certified American Poet has ever visited.”

Rattle, the magazine running the contest, is asking for up to four poems, so it makes sense to enter the maximum.  I will probably replace the hostile one with another new one (only new work is allowed), then publish all five when I lose the contest to poets at Ferry’s level (15 of them, each getting $100; one will later get the big prize).  One nice thing about the contest is that the finalists will be announced no later than 15 September.  I have to get my entries in by 1 August, though.

I have no chance of the big prize but my poems will be quite verbal, so I may, by a fluke, make it into the finals, which would generate some publicity for me.

 

 

 

5 Responses to “Entry 466 — Basho Makes the Funnies”

  1. Ed Baker says:

    this has been up for several days on Issa’s Untidy Hut

    I am fairly certain it is Watt’s translation of The Frog Poem

    which I came away with:

    so many frogs
    in one pond
    croaking

  2. Bob Grumman says:

    Now make it into a comic strip, Ed!

    Thanks for continuing to visit–and for your previous good wishes. I continue to improve–but now my lawn mower won’t work! I should make a haiku about that but won’t.

  3. Ed Baker says:

    I got one if I can find your email address will send it to you

    meanwhile I just sit out on my huge back deck
    &watch the weeds grow and my push-mower rusting.

    old push mower
    rusting
    among the weeds

  4. endwar says:

    I wonder how a comic strip like “Mutts” survives. This particular strip is actually funny, while most are not. I think it gets by on appealing to sentimental pet lovers, who just want cute dog and cat pictures, and maybe some on the the strength of its draftsmanship (though this strip is rather weak in that department, and maybe the coloring doesn’t help). And what’sh the deal with that shpeech impediment? Yeesh. Maybe it one all cats have when they learn to talk. On the other hand, i think the artist is a Buddhist, given some of the stuff he quotes in his strips, so he gets some diversity points.

    Anyway, here’s my response to that pond/frog poem, in the form of a hay(na)ku, which you can imagine William S. Burroughs reading:

    the old pond,
    a frog
    croaks.

    endwar

  5. Bob Grumman says:

    I think the drawing of Mutts is superior, intentionally reminiscent of Popeye, just right for its kind of comic strip. Much of the humor is simple enough–many puns, for example. Otherwise, I go along with your impressions.

    Poop on your debasement of the old pond haiku. Some pipple got no respeck.

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Entry 15 — Misto Peas « POETICKS

Entry 15 — Misto Peas

One of the “tiny special stories” in Al Ackerman’s recent collection, Misto Peas, is called “The Pendulum of Truth”:

“I put my face in a cat and it coffed up sucked-in hairs.  So that was some of it.  And out on the lawn something was peering through the swami who’d been posing dead so lmany weeks that his body was beginning to develop rips.  The thing peering through the rips was mimicking Jerry’s Drive-in.  A kid pulled in who’d had too much wine and at first from the awful shade of his nearly purple face we thought he was going to throw up on his date.  But then he began to swing back and forth on the gear shift and we saw it was the pendulum of truth.”

Why is this so funny to me, and not to many others?  I think partly because I instantly recognize it as a parody of the thought processes of “normals”– matter-of-factly explaining their religion, for instance, taking it for granted they are making sense, never considering the possibility of alternative explanations–and getting away with it!  We connoisseurs of irrationality can make the connections, sparse and frail though they be, to the surreal and/or emotional sense they make.  It’s nonsense of the highest level, but different from Carroll’s in that its speaker doesn’t realize it, which makes it all the funnier.

Okay, my explanation is lousy.  Just groping for an explanation that works, and confident I can find one.

Ackerman’s book is avaliable from Luna Bisonte Prods, 137 Leland Avenue, Columbus OH 43214.  ISBN 1-892280-78-7.  Price: $9, ppd.

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Entry 356 — Something You All Should Know About « POETICKS

Entry 356 — Something You All Should Know About

Alex Dickow, a friend of mine at New-Poetry, posted a link there to the following. Upon visiting the site, I immediately deemed it of sufficient importance to steal in totum for here:


About the Journal | Instructions for Authors | Subscriptions | Archives


Editor-in-Chief: Caleb Emmons

About the Journal The founding principle of the Journal of Universal Rejection (JofUR) is rejection. Universal rejection. That is to say, all submissions, regardless of quality, will be rejected. Despite that apparent drawback, here are a number of reasons you may choose to submit to the JofUR:

  • You can send your manuscript here without suffering waves of anxiety regarding the eventual fate of your submission. You know with 100% certainty that it will not be accepted for publication.
  • There are no page-fees.
  • You may claim to have submitted to the most prestigious journal (judged by acceptance rate).
  • The JofUR is one-of-a-kind. Merely submitting work to it may be considered a badge of honor.
  • You retain complete rights to your work, and are free to resubmit to other journals even before our review process is complete.
  • Decisions are often (though not always) rendered within hours of submission.
  • Instructions for Authors The JofUR solicits any and all types of manuscript: poetry, prose, visual art, and research articles. You name it, we take it, and reject it. Your manuscript may be formatted however you wish. Frankly, we don’t care.

    After submitting your work, the decision process varies. Often the Editor-in-Chief will reject your work out-of-hand, without even reading it! However, he might read it. Probably he’ll skim. At other times your manuscript may be sent to anonymous referees. Unless they are the Editor-in-Chief’s wife or graduate school buddies, it is unlikely that the referees will even understand what is going on. Rejection will follow as swiftly as a bird dropping from a great height after being struck by a stone. At other times, rejection may languish like your email buried in the Editor-in-Chief’s inbox. But it will come, swift or slow, as surely as death. Rejection.

    Submissions should be emailed to the Editor-in-Chief. Small files only, please. Why not just send the first couple pages if it is long?

    Subscriptions An individual subscription may be secured for £120 per year (four issues). Institutional and library subscriptions are also available; prices will be provided upon enquiry. It is unknown whether the subscription will be delivered in print or as electronic content, because no one has yet ordered one.

    Archives

  • March 2009 (Vol 1, No 1) contents:

    (empty)

  • June 2009 (Vol 1, No 2) contents:

    (empty)

  • September 2009 (Vol 1, No 3) contents:

    (empty)

  • December 2009 (Vol 1, No 4) contents:

    (empty – because we were on holiday)

  • March 2010 (Vol 2, No 1) contents:

    (empty)

  • June 2010 (Vol 2, No 2) contents:

    (empty)


  • Disclaimer: Pacific University does not endorse—and is probably unaware of—this journal
  • .
    .

    Note (from Bob): I’m feeling a little bit less unhappy about being A Colossal Universal Incompetent, at least enough to feel I may continue posting daily entries here.  Warning: I expect them to be almost entirely concerned with knowlecular psychology and its taxonomical basis for a while.  Oh, and for those planning biographies of me, you need to know that I actually did spend an hour or so attacking the untidiness of my house.  What I did specifically was remove over twenty shirts with collars that were hanging in my bedroom closet and toss them in a large cardboard box on the bed I now consider my storage room.  It used to be the cats’ room.  It’s the largest bedroom in the place, with bath, now a storage closet.  I also put aside four shirts with collars to give to Good Will.  I suspect most men would throw them out but I’d wear them if it weren’t that I now rarely have any reason, like having a substitute teaching assignment, to wear shirts with collars, and I’ve never liked such shirts.  I should no doubt give away the twenty shirts I tossed in the box, too, but I’m too much of a pack rat to do that–at least right now.

    My ten or twelve best collared shirts are now all hanging in the closet here in my computer room (formerly a bedroom).  For weddings and funerals, stuff like that.  Once I’d cleared out all the collared shirts from my bedroom closet, I was able to hang up the many collarless shirts scattered through the house.  While at it, I hung my jacket and overcoat in my hall closet where they belong but rarely are–because, hey, pulling out a hanger, putting a coat on it, and the hanging it up seems like way too much trouble compared to just tossing them on a chair.

    The house is a lot less cluttered, albeit still cluttered.  I hope to get rid of some books I’ve never read and never will, although I’ll be amazed if I do.  I need to get rid of my non-functioning Xerox, too.  I’m not sure whether or not it could be repaired but am sure the cost of repairing it, if possible, would not be worth it.  My little computer printer can do just about as good a job.

    2 Responses to “Entry 356 — Something You All Should Know About”

    1. C. DiDiodato says:

      Bob,

      this is hilarious!

    2. Bob Grumman says:

      Glad you like it, Conrad. Caleb Emmons seems soneone who knows wutzWut, for sure.

      –Bob

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    Entry 467 — Pushing the Asemic Envelope « POETICKS

    Entry 467 — Pushing the Asemic Envelope

    .

    Noteless Asemic Opera

    Noteless Asemic Opera

     

     

    Verbal Asemic Poem for Geof Huth

     

     

    Standard Asemic Poem

    Standard Asemic Poem

     

    Clearly, if a poem can be asemic, an asemic poem can be verbal.  The point remains: to create forward-going art requires only that you seriously misname what you are doing.  And that’s it for this lesson in automotive mechanics, folks.  Come back tomorrow for something more entertaining by Ed Baker.

     

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    Entry 1085 — Desecration, Twice « POETICKS

    Entry 1085 — Desecration, Twice

    From New-Poetry (posted there by Jerry McGuire, to whom much thanks):

    Batman&Haiku

     

    Batman&Haiku3

    .

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