Entry 15 — Misto Peas « POETICKS

Entry 15 — Misto Peas

One of the “tiny special stories” in Al Ackerman’s recent collection, Misto Peas, is called “The Pendulum of Truth”:

“I put my face in a cat and it coffed up sucked-in hairs.  So that was some of it.  And out on the lawn something was peering through the swami who’d been posing dead so lmany weeks that his body was beginning to develop rips.  The thing peering through the rips was mimicking Jerry’s Drive-in.  A kid pulled in who’d had too much wine and at first from the awful shade of his nearly purple face we thought he was going to throw up on his date.  But then he began to swing back and forth on the gear shift and we saw it was the pendulum of truth.”

Why is this so funny to me, and not to many others?  I think partly because I instantly recognize it as a parody of the thought processes of “normals”– matter-of-factly explaining their religion, for instance, taking it for granted they are making sense, never considering the possibility of alternative explanations–and getting away with it!  We connoisseurs of irrationality can make the connections, sparse and frail though they be, to the surreal and/or emotional sense they make.  It’s nonsense of the highest level, but different from Carroll’s in that its speaker doesn’t realize it, which makes it all the funnier.

Okay, my explanation is lousy.  Just groping for an explanation that works, and confident I can find one.

Ackerman’s book is avaliable from Luna Bisonte Prods, 137 Leland Avenue, Columbus OH 43214.  ISBN 1-892280-78-7.  Price: $9, ppd.

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Al Ackerman « POETICKS

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Entry 1620 — Feeblitzed

Monday, November 3rd, 2014

I’m in a non-functional zone again but it’s not my null zone because I feel un-null emotionally.  I’m non-functional because, I’ve now decided, I’m being “feeblitzed” by the gods or whoever is running my life (which sure ain’t me).  Latest episode: my little cat slept on top of the keyboard of my number four computer, a laptop.  When I went to use it to continue playing Civilization, the first round of it in a couple of weeks that I was winning, I found an alarming message on the screen: “Insert Boot Disk.”  When I unplugged it and rebooted, I got the same message.  Fortunately, I use the laptop for almost nothing but playing Civilization, so it was about the slightest large-scale computer disaster I could have had.  But it feeblitzed me–that is, it made me feel feeble against the fates–as, of course, my current back and lower legs make my feel about my physical future.

Oh, I discovered the problem yesterday–Sunday, of course, at 5:30 in the evening.  I called Staples to find out their hours: on Sunday, 9 AM to 6 PM.  I probably could have made it on my bike to the store before six but I’m sure I would have had to go back today to get my computer back.

So I took it in this morning and got feeblitzed again: the people there could not order my a boot disk.  I could have left my computer with them for a diagnostics test costing $70, but it seemed to me getting and trying o0ut a boot disk made much more sense.  Not that I really know enough to say, but I by then remembered that one can use the Internet and contact manufacturers when things go wrong with mechanisms like computers.  So I spent a couple of hours later getting feeblitzed on the phone with Toshiba, and on the Internet with Toshiba and other companies I kept getting sent to.  I ended finding a place here in town besides Staples that might help me, and will take my computer there.  Eventually.    –

I also had to go the the Food Pantry where I, a welfare layabout, can get free groceries once a week by standing in line for an hour or two in the morning to get a ticket, then coming back in the afternoon to stand in line for 30 to 40 minutes to go into the place to get stuff–like the 24 cupcakes I could have gotten (unsold Hallowe’en goodies) but took 12 smaller cupcakes instead because of lack of storage space for all the edibles I have in my house.  Tiring, especially now that I can’t stand for more than a half hour without wanting desperately to sit down (a real case of feeblitzery).

A final factor were the exercises I should be doing and did one set of, and felt guilty that I didn’t do more–but they may genuinely be too much for me because they are somewhat painful.  I’m probably not doing them more because they don’t seem to be doing anything for me.  I was excellent about doing the exercises I was given after my hip transplant, mainly because I felt I was up to them.  Doing, not doing, and thinking about the exercises feeblitzed me.

So, that’s why I went through all the things I have lying around my computer room for something to post here, and found this:

StripOfStamps-WhenRuffiansGather

It’s a work of my now no longer here friend Al Ackerman who sent it to me in 2007.  I love his work–it always makes me smile or chuckle, when it doesn’t make me guffaw.  Click to see a larger image.

(Aside, I wonder if women find his work funny; I suddenly see something of the 3 Stooges in it, although I was never a big fan of theirs, however much they could at times make me laugh.  Ackerman’s brand of comicality was quite a bit higher than that of the stooges, though.  If I weren’t so feeblitzed, I could give the details  There’s a good deal of “this is something some people find funny” in it which makes superior types like me laugh at it, but some kind of hilariously absurd high idiocy, too.  And devices like contrasting . . . argot?  There’s a better term.  Anyway, here you have the cultured caption about “ruffians” contrasted with the lower-class absolute fools the word is describing.  There’s something about unabashed idiocy that I–and I believe many men but not many women–find absolutely hilarious.  Maybe because with can enjoy it vicariously, it being something we’d love to be able to do; but women fear the loss of control it involves–oh, and the physicality of most Grand Idiocy–or, more exactly, the musclaceptuality, to bring my theory of awarenesses into it.  Women probably prefer . . . well, refined humor, but I’m not sure what I mean by that.)

Oops, I forgot to mention the funniest thing about it: the idea of our constipated government ever issuing such stamps!  I wish I used a few of them, but never thought to, having always been far too little of a mail artist.

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Entry 858 — “Repose and Reconstruction”

Tuesday, September 11th, 2012

Below is the link to the 3rd in a series of chapbooks from the publishers of Tip of the Knife. The title of the series is called TipChapKnifeBook. Number 3 presents Bill DiMichele’s Repose and Reconstruction–with a short introduction by me.

http://tipchapknifebook.blogspot.com/2012/09/bill-dimichele.html

Meanwhile, I’ve been half-assedly continuing my attempt to put mine house in order.  Yesterday, I spent an hour going through a shallow box of miscellaneous stuff, figuring out what to do with perhaps a fifth of it.  But I found some interesting items I thought worth sharing mith my blog’s legions of followers:

This was at the top of a letter from John M. Bennett.  It’s by Al Somebody-or-Other.  It may have come in the envelope below, which is a typical JMB envelope:

Plus a sticker of John’s:

 

 

 More great stuff tomorrow, kids–if you behave!

 .

Entry 15 — Misto Peas

Monday, November 16th, 2009

One of the “tiny special stories” in Al Ackerman’s recent collection, Misto Peas, is called “The Pendulum of Truth”:

“I put my face in a cat and it coffed up sucked-in hairs.  So that was some of it.  And out on the lawn something was peering through the swami who’d been posing dead so lmany weeks that his body was beginning to develop rips.  The thing peering through the rips was mimicking Jerry’s Drive-in.  A kid pulled in who’d had too much wine and at first from the awful shade of his nearly purple face we thought he was going to throw up on his date.  But then he began to swing back and forth on the gear shift and we saw it was the pendulum of truth.”

Why is this so funny to me, and not to many others?  I think partly because I instantly recognize it as a parody of the thought processes of “normals”– matter-of-factly explaining their religion, for instance, taking it for granted they are making sense, never considering the possibility of alternative explanations–and getting away with it!  We connoisseurs of irrationality can make the connections, sparse and frail though they be, to the surreal and/or emotional sense they make.  It’s nonsense of the highest level, but different from Carroll’s in that its speaker doesn’t realize it, which makes it all the funnier.

Okay, my explanation is lousy.  Just groping for an explanation that works, and confident I can find one.

Ackerman’s book is avaliable from Luna Bisonte Prods, 137 Leland Avenue, Columbus OH 43214.  ISBN 1-892280-78-7.  Price: $9, ppd.

Bill DiMichele « POETICKS

Archive for the ‘Bill DiMichele’ Category

Entry 858 — “Repose and Reconstruction”

Tuesday, September 11th, 2012

Below is the link to the 3rd in a series of chapbooks from the publishers of Tip of the Knife. The title of the series is called TipChapKnifeBook. Number 3 presents Bill DiMichele’s Repose and Reconstruction–with a short introduction by me.

http://tipchapknifebook.blogspot.com/2012/09/bill-dimichele.html

Meanwhile, I’ve been half-assedly continuing my attempt to put mine house in order.  Yesterday, I spent an hour going through a shallow box of miscellaneous stuff, figuring out what to do with perhaps a fifth of it.  But I found some interesting items I thought worth sharing mith my blog’s legions of followers:

This was at the top of a letter from John M. Bennett.  It’s by Al Somebody-or-Other.  It may have come in the envelope below, which is a typical JMB envelope:

Plus a sticker of John’s:

 

 

 More great stuff tomorrow, kids–if you behave!

 .

Entry 854 — “sic transit”

Friday, September 7th, 2012

I’m always harping on the importance of a poetry critic’s quoting passages or whole poems by the poets he discusses.  This is not revolutionary: it’s taught, I believe, in most college courses on the subject.  A critic should also zero in on quoted material at times, too.  I sometimes fail to do both myself, so am re-posting to the following excerpt from a poem from Sheer Indefinite, by Skip Fox, in order to say a little about it:

Neither does the world answer but

          in mute response. Cold

            wind this morning before

                  dawn, cold

            rock in its eye,

                                 frozen

             dream in its mind.

First, here’s what Patrick James Dunagan said about it at his blog here, where I got it: “This is from a poem titled ‘sic transit’—one of several of the same title included here. (It’s on page 100–BG)  These breezy markers of reoccurrence give a slight whimsy brokered through its scattering lines spread across the page expressing a moment’s hesitation before the onslaught of another day’s beginning. Fox utilizes this serial approach often in his more recent books, spreading throughout each a few poems which usually share a title, form, movement of line, and/or tone, allowing for the spreading of ongoing concerns beyond the single book, such that no single collection is ever final, or complete.”
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The text begins “sic transit,” which surprised me a little, but should not have, since Fox likes to jump into the midst of things, then let his readers fumble for orientation, which tends to help them find more, sometimes a lot more, of where the poem has put them than a poem trying harder to be accessible.  That is, you will learn more about an unfamiliar forest you have no easy-to-find path into if forced inside it to search for a way through it.  Moreover, this poem begins in answerlessness, so the tactic is all the more appropriate.  The poems then goes on to what seem to me Roethkean-level lyrical heights about the beauty of the night sky (moon, Venus, Saturn, Jupiter, etc.) whose “wanderers” seem “endlessly searching . . . each sign a station pronounced/ sentence or dance of mythos, fluent/        within/         what?”  Which gives us a better but far from complete idea of the question “the world answer(s) but/ in mute response.”
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The passage is improved by its context–but I love it as a stand-alone, too, for its haiku-sharp evocation of coldness–in a still-dark morning, which is upped dramatically, first by the rationally-wrong, surrealistically-right cold rock, second by its eye–and, hence, sentience which personalizes its effect on the unidentified Everyman looking for an answer– and third (and fourth) by the “frozen dream in its mind,” which–almost wittily–outdoes the cold rock (as a colder version of it) in rational-wrongness/surrealistic-rightness.
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Note: I like what I’ve written here–right now, just after writing it.  Who knows how I’ll feel about it tomorrow or a month from now.  But I like it now, which I mention because I notice that more often than not when I write close criticism like it, I have to really push myself to begin, because I feel empty.  But something always seems to come–in this case helped by what another critic, Patrick James Dunagan, had said.

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Entry 851 — Guess What?

Tuesday, September 4th, 2012

I’m still so out of it I need to grab work by others to post something here. Ergo, here are a poem (top text) and the first stanza of a poem by Bill DiMichele from his Heart on the Right, which my Runaway Spoon Press published in 1992:

My kind of lyricism. I especially like “one’s a felony, the other a/ cloudburst” (referring to veneration and irreverance?), and the rush “to find diagnosis/ or heir,” which I think has to do with whether the quest mentioned is a sickness to be diagnosed or something that will lead valuably (like irreverance?) to other (living) quests.
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Entry 850 — Two Early Works by Bill DiMichele

Monday, September 3rd, 2012

The following are from Capacity X, a chapbook my Runaway Spoon Press published in 1988 of visual poems by Bill DiMichele:

“X” in some 28 variations each making the  X more knowably unknown.

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Entry 849 — Two by Bill DiMichele

Sunday, September 2nd, 2012

The two pieces below are from the collection by Bill DiMichele that I agreed to do an intro for (and–as usual–am procrastinating on although I think I know what to say in it).  The top piece is the second in a five-frame series called “Repose”; the lower the first of another 5-frame series, this one called, “Reconstruction”:

All the ones in “Repose” are wonderfully restful and should be easy to do a little twirl about, but–except to point out how unreposeful “Reconstruction” is, and that I like it a lot–I don’t yet know what to say about it.

 

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Entry 604 — A Visimage by Bill DiMichele

Sunday, December 25th, 2011

Here’s something from Bill DiMichele’s latest painting exhibit at the Lindsay Dirkx Brown Gallery in San Ramon, CA.  It reminds me a lot of the way I shape my (much lesser) canvasses.

Go here to see more of his works. More will be appearing here.

This is the link to the Cross-Section of a Moment exhibit.

Diary Entry

Saturday, 24 December 2011, 6 P.M.  Pretty much a crappy day.  I had trouble taking care of my diary entry–until I remember a book of images Geof Huth had sent me that I could steal images from to display.  I just finished doing that.  I did very little else all day, just a paragraph on my response to Jake Berry’s essay.  I did finish the thriller by Tom Clancy I was reading, though.  It was about a war–American and Russian against China.  Silly stuff but I did enjoy reading about a militarily competent USA, for which I hope my friends in poetry will forgive me.

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Humor « POETICKS

Posts Tagged ‘Humor’

Entry 15 — Misto Peas

Monday, November 16th, 2009

One of the “tiny special stories” in Al Ackerman’s recent collection, Misto Peas, is called “The Pendulum of Truth”:

“I put my face in a cat and it coffed up sucked-in hairs.  So that was some of it.  And out on the lawn something was peering through the swami who’d been posing dead so lmany weeks that his body was beginning to develop rips.  The thing peering through the rips was mimicking Jerry’s Drive-in.  A kid pulled in who’d had too much wine and at first from the awful shade of his nearly purple face we thought he was going to throw up on his date.  But then he began to swing back and forth on the gear shift and we saw it was the pendulum of truth.”

Why is this so funny to me, and not to many others?  I think partly because I instantly recognize it as a parody of the thought processes of “normals”– matter-of-factly explaining their religion, for instance, taking it for granted they are making sense, never considering the possibility of alternative explanations–and getting away with it!  We connoisseurs of irrationality can make the connections, sparse and frail though they be, to the surreal and/or emotional sense they make.  It’s nonsense of the highest level, but different from Carroll’s in that its speaker doesn’t realize it, which makes it all the funnier.

Okay, my explanation is lousy.  Just groping for an explanation that works, and confident I can find one.

Ackerman’s book is avaliable from Luna Bisonte Prods, 137 Leland Avenue, Columbus OH 43214.  ISBN 1-892280-78-7.  Price: $9, ppd.