Entry 634 — Faereality as a Major Theme?

January 24th, 2012

After making the textual design with the sailing ship in it, I got an idea for a mathemaku featuring the ship’s entrance into the world it’s shown in as a partial metaphor for faereality.  I worked out a full sketch of the poem but haven’t converted that to an actual poem yet.  Now I’m fumbling with another faereality long division in which the following is a partial metaphor for faereality:

When I got this second idea, I immediately went megalomaniac, as I so often do, with thoughts of a Major Triumph.  In this case it would be a sequence of faereality long divisions in which faereality would symbolize the wonders of the worlds imaginative children live in.  My third frame of the sequence needs just a remainder; I should say, my sketch of my third frame just needs that.  I have no other ideas for the sequence, though.  I hope I get some–a dream that if I got at least ten, the result would be Very Accessible–and appealing to the many with my nostalgia for childhood.

Note: if you’re stumped by the extract from my poem-in-progress above, decode the following to understand it: ju jt ”cpzippe”–dpejoh jut xbz joup gbfsfbmjuz.  Hmmm, I just thought of a better spelling.  I’ll save that for tomorrow when, again, I’ll no doubt be having trouble thinking of something to put here.

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Entry 633 — Kinds of Poetry, Again

January 23rd, 2012

 

At Spidertangle there’s been a discussion of how visual poetry sells.  Poorly, needless to say.  Along the way, John M. Bennett said, “Yes, the discussions about vispo can sometimes be interesting – a game, as you say – - – tho i think what they tend to miss is that the poetry we’re trying to create is much more than simply visuality.  for me at least, the poem i try to make functions visually, sonorously, textually, conceptually, formally, metaphysically, metaphorically, ambiguously, performatively, etc etc etc and all equally importantly and at the same time.  so from that perspective a discussion about vispo or soundpo or whatever misses most of the picture.  or, it’s a game, something sui generis, of interest as a kind of thinking in its own category.”

I added: “Further thoughts: that there are two kinds of poetry: people poetry and a different kind I haven’t thought of a good name for.  A people poem either states an opinion about human life which those who like the poem like it because they agree with the opinion; or it expresses a human feeling that those who like it empathize with.  The other kind may also express an opinion and/or feeling (actually, it can’t avoid doing this to some degree), but has what I think of as larger interests of the kind John listed.  The most important of these for me are aesthetic—what the elements of a given poem are doing rather than what they are saying.  I think there is only a very small audience for such poetry, similar to the audience for avant garde music or mathematics.” 

Another thing that cuts down sales of visual poetry is the Internet—because it’s so available there, and because a lot of visual poetry can’t be inexpensively printed but can be cheaply distributed free on the Internet.”
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Entry 632 — A Step Beyond Designage

January 22nd, 2012

I fooled around with a portion detached from the design I posted here yesterday for a little while, overlaying it with some oil paint brush strokes and a sailing vessel.  Viola: the thing now had enough connection to reality to take on meaning–in a manner I thought very similar to what Klee’s best paintings do.   It remains a textual design, though.

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Entry 631 — Continuing Out-of-Itness

January 21st, 2012

Many of the times I’ve been as out of it as I am now, I gone to Paint Shop and thrown together some bit of non-representational visimagery. So I tried that this after noon. After I had my design, I layered an old textual visimage over it to get:

I find it interesting but tend to think anyone with access to Paint Shop or software like it could have made it.   

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Entry 630 — Nowhere, Again

January 20th, 2012

I feel okay.  It’s just that I can’t think of anything to put here except the announcement that I have nothing to put here, which I put here so I can say, for some reason, that I’ve done a daily blog for at least the past, what, three months?  I’m so out of it I’m not upset about being so out of it.

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Entry 629 — A Poor Poem Poem and a Mathemaku

January 19th, 2012

          Poem’s Latest Visit to Nowhere

          Poem spent the day interviewing
          a spoke from a bicycle wheel that was all
          that was left of a Schwinn he’d had ten
          years ago.  He was interested
          in the spoke’s relationship
          to quantum mechanics
          considered chromatically.
          This caused a flap.

          His present bicycle went nowhere.                             
          Criticism intervened, trying
          to rescue the incredibly dead patch Poem
          had gotten himself into by
          using it to illustrate his thesis
          that little boy blue’s absence
          was impossible for any poem
          to overcome.

Yes, I am as out of it as I’ve ever been. I was hoping my non sequiturs would get close enough to sense for me to do something with them. They never did. But behold: I still eventually steered my text into an at least slightly intriguingly unsettling epiphany. Not that it makes up for the badness of the rest of the poem. But wait.  So this entry won’t be 100% worthless, here’s my “Cursive Mathemaku No. 2,” again. While going through my 2011 entries I came across this and changed my mind about it: it suddenly seemed to me the best version of the poem, not the third-best. So I’m using this entry to make public its officially being granted the title of “Cursive Mathemaku No. 2.”  Weird how much I prefer it to the one I once greatly preferred to it.

 

I really like the black lines, I don’t know why.  They’re very simple.  I think they give the thing thrust, they increase its seeming to be going somewhere.  Aside from that, spirals are always a plus.

Note: the yellow cursive reads, “any preposition whatever.”

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Entry 628 — New Vocational Triumphs

January 18th, 2012

Just when I thought my visual poetry career was going nowhere, I had a pleasant surprise at an Arts & Humanities gathering last night.  It was an annual affair where local visimagists get together with people representing public places.  The latter look over the works brought to the event, three pieces per artist, and offer exhibition space to those whose work they like.  A bank lobby, for instance.  I went to one of these long ago, but my work wasn’t chosen, and while I’m (probably insanely)  persistant at continuing to make art, I have just about no stick-to-it-ive-ness so far as getting it to where people can see it and maybe like it.  Well, with the encouragement of Olivia and Judy, of the Arts & Humanities Council, and thinking maybe now that I had my current exhibition, someone might think me worthy of another elsewhere, I brought the following three pieces to the main library, where the affair was:

 

 

 

 

I was going for accessibility with the top two.  I added the bottom one to show a little of what I was doing with long division and color.  In any case, I’m now down for three more exhibitions, two more this year and one in 2013. 

I got to talk with fellow artists, too.  One of them did abstract-expressionist stuff with the word, “love,” embedded in them–another local visual poet!  I came across another artist who uses some kind of transparent, screenlike fabric in her work: she paints an image on it and hangs it in front of regular fabric with a background painted on it.  I thought it worked really well, and have vague ideas on what I might do with it.  So, quite a good hour or so!

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Entry 627 — My %!!#$&! Sonnet

January 17th, 2012

While reviewing my 2011 blog entries, I came on the following “final version” of my life’s-work sonnet, and was astounded that I could have thought it good:

     Sonnet from My Forties

     Much have I ranged the kingdoms Stevens forged
     Of deeply penetrating inquiries
     Into, and deft use of, the metaphor,
     And volumes filled in vain attempts to reach

     The heights that he did. Often, too, I’ve been
     To where the small dirt’s awkward first grey steps
     Toward high-hued sensibility begin
     In Roethke’s verse, or measured the extent

     Of wing-swirled, myth-electric, royal light
     That Yeats achieved, or marveled down the worlds
     That Pound re-morninged splashingly to life,
     But failed as dismally to match their works.

     Yet still, nine-tenth insane though it now seems,
     I seek those ends; I hold to my huge dreams.

The following struck me as much better:

     Sonnet from My Forties

     Much have I ranged the broad-skied latitudes
     That Stevens festivalled his inquiries
     On truth and the imagination to,
     And reams used up in vain attempts to reach

     The heights that he did. Often, too, I’ve been
     To where the small dirt’s awkward first grey steps
     Toward high-hued sensibility begin
     In Roethke’s verse, or measured the extent

     Of wing-swirled, myth-electric, royal light
     That Yeats achieved, or marveled down the worlds
     That Pound re-morninged windily to life,
     but failed as dismally to match their works.

     Yet still, nine-tenth insane though it now seems,
     I seek those ends; I hold to my huge dreams.

But “broad-skied” bothered me.  Nice thought, but I didn’t like the repetition of the d-sound, and “broad” seemed to me low in lyricality.   So, once again I improved it:

     Sonnet from My Forties

     Much have I ranged the large-skied latitudes
     That Stevens festivalled his inquiries
     On truth and the imagination to,
     And reams used up in vain attempts to reach

     The heights that he did. Often, too, I’ve been
     To where the small dirt’s awkward first grey steps
     Toward high-hued sensibility begin
     In Roethke’s verse, or measured the extent

     Of wing-swirled, myth-electric, royal light
     That Yeats achieved, or marveled down the worlds
     That Pound re-morninged windily to life,
     but failed as dismally to match their works.

     Yet still, nine-tenth insane though it now seems,
     I seek those ends; I hold to my huge dreams.

I don’t think I’ll live long enough to improve it more than thirty or forty more times.

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Entry 626 — Fear of Failure

January 16th, 2012

I’ve always had a horrible fear of failure.  I was thinking about that just now as I tried to steel myself to go to war with the Russians.  I’m Greece in a round of Civilization, the world-domination game I spend such an absurd amount of time playing against my computer.  My spies, who are almost always right, tell me the Russians are very weak, and there are other strong indications that I will win a war against them.  Since I’m slightly ahead of the other nations I’m competing with, that should be enough for me to win the game as a whole.  And, good grief, no one will know but I if I fail!  Yet I feel the same way I feel in a tennis match I’m playing in the local seniors league, or when I’m about to submit a poem somewhere.  I’m reminded, too, of the way school tests made me feel, even ones I knew would be no problem for me.  Oddly, I don’t much feel it with these blog entries of mine.  I don’t know why that should be.  I’m submitting specimens of my thinking to strangers.  I guess the fact that my judges are invisible, mute, and few keeps me from thinking about them.  Another factor I just thought of is that no one is keeping score, there’s no definite way I can fail.  Well, unless a few of you made nasty comments about my entries all of a sudden.  But nobody has for ever so long.

Happy pills or alcohol would probably solve the problem.  Unfortunately, anything that would make awareness of failure impossible would also make awareness of success impossible, too.  My temperament is such that irrational hope of success will always trump equally irrational fear of failure, for me.  Even though my greatest feelings of success have been of anticipated success, almost never of actual success. 

Note: after I posted this, I felt a sense of triumph.  That made me realize a trick I learned so long ago that I use it automatically without thinking about it: giving oneself games to play that are almost impossible to lose, in this case, my game of getting a blog entry done every day.  That’s a great lesson for those of you looking for terrific self-help methods!

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Entry 625 — Keeping Track of Things

January 15th, 2012

I’ve done it again: lost track of something important to me, this time four or more copies of my April to the Power of the Quantity Pythagoras Times Now.  As usual in such cases I can’t imagine what I did with them.  I feel I’ve looked everywhere they could possibly be at least twice.  This time, though, I have no deadlines hanging over me, so am going to try to do something about it: I’m going to put my house in order.  So don’t expect much here for a while.

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