Archive for the ‘Textual Designage’ Category

Entry 641 — Another Textual Design

Tuesday, January 31st, 2012

This is the third in the series of reworkings of an old textual design I posted the first two of in Entry 637.  Useful for entries I have nothing else for, which are becoming standard for me, now.

 I like this but am not sure why.  It holds my interest.  I seriously wonder whether it indicates I have a talent for this sort of thing.  It seems to me anyone could use Paint Shop to make other designs equal to or better than it.  The “asemic poems” I’ve seen posted usually seem as interesting to me as it.  Oh, well, I enjoy making these, so as my mind fades away, I guess I’ll continue to. 

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Entry 637 — Close to Totally Non-Functional

Friday, January 27th, 2012

I did an errand on my bike early this morning–four or five miles.  I felt okay.  But, ye gods, how null my mind has been!  A little while ago, I looked at a text I need to work on, but lacked the energy to read it.  I should probably take some of my energy pills but I don’t want to. I fear addiction.  But how could that be worse than the way I am, unaddicted?

But I have been able to play around with the textual image I posted recently, and make the following:

I felt there were too many grey letter-fragments, so made this revision:

Kinda fun, doing these, and no mental strain.

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Entry 632 — A Step Beyond Designage

Sunday, January 22nd, 2012

I fooled around with a portion detached from the design I posted here yesterday for a little while, overlaying it with some oil paint brush strokes and a sailing vessel.  Viola: the thing now had enough connection to reality to take on meaning–in a manner I thought very similar to what Klee’s best paintings do.   It remains a textual design, though.

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Entry 631 — Continuing Out-of-Itness

Saturday, January 21st, 2012

Many of the times I’ve been as out of it as I am now, I gone to Paint Shop and thrown together some bit of non-representational visimagery. So I tried that this after noon. After I had my design, I layered an old textual visimage over it to get:

I find it interesting but tend to think anyone with access to Paint Shop or software like it could have made it.   

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Entry 603 — c’est mon dada

Saturday, December 24th, 2011

Geof Huth recently sent me a Christmas package with a bunch of neat things in it, including the 4-inch by 6-inch hardbound book whose cover is shown directly below:

The first three images within were “Vers t ehen,” by Klaus-Peter Dencker, “Chretiens,” by Pierre Garnier and “Word Theatre,” by Theo Breuer.

I very much liked just about all of them.  I thought they were photographs taken by Geof of text-fragments and things that Geof thinks look like typography, for he has taken a good deal of such photographs over the years.  On the last page of the book, however, its contents are described as “collection of visual poetry, experimental texts and works influenced by Dada and Fluxus” followed by a list of works by title and author.  But there are fifteen or twenty fewer works shown in the book than listed so I’m not sure who did what.  And I noticed just about nothing that had any particular artist’s stamp on it.  I guess that’s what Dada is s’posed to be. 

Oops, now I have it: the collection is no doubt of some 65 (!) little collections like this one that the redfoxpress (of Ireland) published!  Geof is #65, which is stamped on the back cover.  So I was right to begin with.  I’ll leave my errors uncorrected–examples of dada criticism. 

New dogma of mine: a photograph whose subject is a word or words is a photograph of a word or words, not a visual poem.  I’m not sure that’s right, though.  I will have to think about it. 

Diary Entry

Friday, 23 December 2011, 3:30 P.M.  I haven’t felt like running for ages but forced myself to do a mile this morning.  I took off when my watched was at the zero seconds mark but forgot to see how many minutes past seven it was when I took off.  My finishing time was X:02.  I’m guessing it was 11:02 since my last time was 11:17, and I felt I was a little better this time out–though still horrible.  I only ran about twenty yards before having to really push every step to keep going.   It’s a mystery to me why I’m so off–I feel reasonably untired playing tennis, and I don’t just stand on the court.  As for my cultural productivity today, I puttered around in my response to Jake Berry’s essay but didn’t catch fire.  I was, as usual, feeling too tired to do much.  I may work some more on it.  (Later note: I didn’t.) Right now, though, I’m going to lie down again.

 

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Entry 591 — A Work by Carlyle Baker

Monday, December 12th, 2011

I don’t know much about Carlyle Baker–only that I see his work every 0nce in a while and always like it.   The piece by Baker below, untitled, is from the bleed 0.1.  

I have a lot of trouble saying why I like this–extremely like this.   I do know that I am automatically attracted to anything with the word, “ur,” in it.  Beginnings, origins, the number one.  The work seems to me simultaneously some sort of alchemical diagram, a map of a section of an archaeological dig, a frame from a film of a dream, a “careworn and coffee-stained map” of a lost country (as bleed editor John Moore Williams muses in the text accompanying the full set of four pieces this one is the first of), maybe even a piece of square currency from some mystical secret nation . . .  Baker says of the set that “most of these pieces begin hand-drawn in ink, pencil crayon, watercolor, etc., and later are altered in a paint program”–much as the graphics in my work are.  My only gripe: he apparently doesn’t title his works–if he does, the titles have been omitted here.

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Sunday, 11 December 2011, 5 P.M.  I played around with an image at Paint Shop for less than half-an-hour, and posted the result as my blog entry for the day.  Tennis in the morning, dinner with Linda in the late afternoon, futzing around in between.  Almost nothing accomplished.

 

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Entry 553 — “Haiku #92,” by Scott Helmes

Friday, November 4th, 2011

I stole the work below from Geof Huth’s blog at http://dbqp.blogspot.com/#!/2011/10/3-lines-haiku.html where he accompanies it with some interesting, sensitive words.

 

 

Geof says the shapes in this are pieces of letters.  Perhaps they are, but few of them seem so to me.  Nonetheless, they certainly represent lettered language–and the essence of the haiku form, compressed (not reduced) to the purely visual.   A visual depiction of the haiku.  Over the past few days I’ve been making posts about how bad the new Penguin anthology of “twentieth century American poetry” is, so what a good anthology of the period would be was on my mind.  I wondered what I would do about works like this one of Scott’s.  Could I include them?  Not if I remained true to the long-agreed-upon meaning of poetry as a construction of words.  I decided I’d have a section of such an anthology devoted to “near-poetry.”  If there are any good twentieth-century prose poems around, they could also go into it.  Automotive poetry, too, like the Ford Mustang, what the hell.  I’d call the anthology an anthology of twentieth century American Poetry and Meta-Poetry.

Actually, maybe the issue wouldn’t come up.  Scott’s poem is dated 2011.  I don’t know when he began his series of “visual haiku”–maybe not before 2000. 

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Entry 292 — One Last Textual Design, For Now

Sunday, November 21st, 2010

This is the last frame from my experiment in textual designage that is of any interest, at all.

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Entry 291 — Frame 14

Sunday, November 21st, 2010

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Entry 290 — Frame 13

Saturday, November 20th, 2010

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